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A vibrant collage poster featuring bold typography and abstract shapes. Large text reads “Erik Viskillie” alongside the word “stadium” split across the page, and “from west kunst”. The composition includes images of Earth, a yellow winding path, and a red ribbon. Smaller text mentions the “Royal Academy of Art” and a date of “Thursday 24 September 2015”.
A vibrant collage poster featuring bold typography and abstract shapes. Large text reads “Erik Viskillie” alongside the word “stadium” split across the page, and “from west kunst”. The composition includes images of Earth, a yellow winding path, and a red ribbon. Smaller text mentions the “Royal Academy of Art” and a date of “Thursday 24 September 2015”.

Gilles de Brock’s bold poster designs use found imagery and psychedelic hues

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Date
25 July 2017

Art director and designer Gilles de Brock’s designs are informed by “the limitations of the medium” he uses in each project. Psychedelic in colour choice and composition, Gilles creates work for long-term clients, who give him the trust and freedom he needs to experiment. Having worked with Nike, Metahaven, and most recently Red Bull, Gilles hopes to convey his own reflections on a subject in ways that the client may not have previously considered.

“The hardest challenge is to keep myself happy doing the designs. I get bored easily and since I like to think it’s all just a hobby and I don’t have to force myself to do it,” explains Gilles, who earns his keep outside of the design world. “I find a lot of challenges in programming different aspects of the work which is something I generally enjoy doing.”

An ongoing project of the designer’s is a series of posters for the Studium Generale at the KABK in the Hague, which encapsulates the organised chaos that’s come to define Gilles’ work. Using a mixture of found imagery from Google, pop culture references and nostalgic typography, it’s a bold series, with an identity that’s become more image-focused and refined over the years. “I’d like to think my work conveys clear stories, but I never set out to tell a specific story. I work intuitively, so usually the work is abstract to some extent and most of the time I don’t know how it will come out in print,” says Gilles. “I think with the posters specifically, each is a recording of the topics that are currently in my head.”

A collage of psychedelic, iridescent flowers and objects laid over a leopard-print background. The word “Sprite” appears in its signature blue logotype across the centre.
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Gilles de Brock: Studium Generale at the KABK, 2017

A collage poster featuring bold, colourful typography and imagery from popular sitcoms. The words “Family” and “Friends” repeat in various styles, alongside a cartoon dog and a white coffee cup branded with the “Central Perk” logo.
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Gilles de Brock: Studium Generale at the KABK, 2017

A digital collage featuring a mix of travel and cultural imagery. Text at the top reads “Said El Haji The School of Mixed Love”, “Studium Generale” and “16:00–17:30h, 4 February 2016 auditorium KABK, The Hague”. The composition includes an EasyJet plane, a small suitcase, a screen showing a crowded room and an ornate blue frame. Bold yellow brushstrokes and textured, sandy elements are layered throughout the scene.
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Gilles de Brock: Studium Generale at the KABK, 2016

A colourful collage featuring a white cat and a German Shepherd dog. Bold, fragmented text across the image reads “WE MUST VALUE OUR FREEDOM”, alongside the name “PETRA G STIENEN”. Various objects are scattered throughout, including a green apple, a pear, a glass of red wine and logos for Pepsi and Coca-Cola.
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Gilles de Brock: Studium Generale at the KABK, 2015

A vibrant, cluttered collage poster featuring a mix of 3D renders, photography and bold typography. Large text reads “SUPER STREAM ME” and “NICOLAAS VEUL”, alongside the date “THU 19 NOV 2015” and the location “ROYAL ACADEMY OF ART – THE HAGUE”. The composition is filled with eclectic elements including pills, an eggplant, a poop emoji, hands and a smartphone.
A vibrant collage poster featuring a chaotic arrangement of straps, buckles, ropes and small figures. The composition uses a bold palette of red, yellow, purple and black. Text at the top reads “Elke Krasny”, “Studium Generale” and “11 February 2016”. Smaller text mentions “Transnational Curating” and a location in The Hague.
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Gilles de Brock: Studium Generale at the KABK, 2016

A colourful collage poster featuring four abstract shapes resembling vases and vessels. Each shape is filled with fragmented imagery and bold colours against a blue and purple checkered background. A header reads “STUDIUM GENERALE” and lists a lecture by “NANA ADUSEI POKU” and a film “HYÈNES” on 19 May 2016.
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Gilles de Brock: Studium Generale at the KABK, 2016

A maximalist collage poster for a lecture by Hannes Bernard titled “A Rising Tide Lifts All Boats”. The layout is a symmetrical arrangement of mirrored images including sushi, Pringles cans, and people in various settings. A header reads “STUDIUM GENERALE” and lists the date as 14 April 2016 at the auditorium KABK, The Hague.
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Gilles de Brock: Studium Generale at the KABK, 2016

A psychedelic collage poster on a black background featuring distorted, neon-coloured figures and organic shapes. Text at the top reads “Jesse Darling”, “Studium Generale” and “Thing Doesn’t Need a Name”, with event details for 18 February 2016 in The Hague.
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Gilles de Brock: Studium Generale at the KABK, 2016

A black and white collage poster featuring a bone-style alphabet. The letters are layered over surreal imagery, including a skull, a skeleton, and a seated figure. Small text at the bottom reads “Sjoerd de Vries – Good and Evil in Tibetan Buddhism” and lists event details for 13 April 2017.
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Gilles de Brock: Studium Generale at the KABK, 2017

A collage featuring a figure in a tactical vest and sunglasses, wearing a red and white striped outfit with yellow stars. They hold a bright pink rifle and a black ball, with a burning popcorn bucket at their feet. Smaller images are layered around the central figure, including two people sitting outdoors and a person comforting a child. Text at the bottom reads “Florian Göttke – Revealing Evil: Demonization as an Operation of Exclusion in Political Protests”.
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Gilles de Brock: Studium Generale at the KABK, 2017

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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