There’s a famous clip of Norwegian TV presenter Bjorge Lillelien chastising the English after his country saw off England in a football world Cup qualifier. “Lord Nelson! Lord Beaverbrook! Sir Winston Churchill! Sir Anthony Eden! Clement Attlee! Henry Cooper! Lady Diana! Maggie Thatcher – can you hear me, Maggie Thatcher? Your boys took one hell of a beating! Your boys took one hell of a beating!” Its curious mix of political grandees, a princess and a boxer combine to see it regularly voted the best bit of commentary of all time and ever since I have had a grudging admiration for Norway and Norwegians.
Until now it has just been Bjorge Lillelien who I can hang my Norway-loving hat on, but now I can add the fine people at Grandpeople who have been producing consistently excellent graphic design, photography, illustration and creative direction for years now and their prodigious output shows no sign of slowing down. A host of new work added to their website this week includes many of their trademarks – strikingly simple visuals, fantastic use of texture and a bombastic talent for colour.
- Miranda July’s latest work is a high-tech portrait of the Uber driver who took her to interview Rihanna
- Léa Augereau's figurative paintings feature a diverse range of strong and confident women
- Artist Adam Ferriss' photography filters are better than any on Snapchat
- Graphic designer Jaap Smit physicalises the web in his data-driven practice
- How Alex Prager made the world stop and stare
- Photographer Louise Reinke's latest shoot is inspired by the legendary Dionne Warwick
- "Don't drink and dance in front of your peers": ten creatives on their biggest mistakes
- All internships are not created equal: how to spot the best opportunities and have the courage to reject the duds
- Crayola launches a makeup range based on its ubiquitous crayons
- Beyoncé and Jay Z take over the Louvre for Apeshit music video
- Why counter-culture matters: Rough Trade launches publishing venture designed by Craig Oldham
- Greg Sharp animates a video that builds in momentum for the catchiest song of the year