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A bright, white design studio filled with typographic sketches and prints. A black leather armchair sits in the foreground, while a desk with computers and drafting tables occupy the centre of the room.

Introducing... The seriously minimal graphic design of Icelandic studio GUNMAD

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Date
5 October 2012

GUNMAD is Guðmundur Ingi Úlfarsson and Mads Freund Brunse, one Icelandic and one Danish graphic designer working together between Rekjavík and London. Stylistically these guys are at the very edge of minimal, striving for typographic purity and structural perfection, with no white space disturbed by imagery or text unless absolutely necessary.

They’re also incredibly experimental, channeling an enormous amount of energy into research in a manner that’s rarely seen outside of academic institutions. The walls of their studio are thick with typographic sketches, slices of inspirational imagery and any other snippets of visual paraphernalia that might expand the scope of their practice.

Like their work, Guðmundur and Mads are sparing with their words, but their answers below reveal some fascinating truths about designers working in the digital age.

A split image showing two views of an exhibition. On the left, four posters are arranged in a grid, featuring black horses and the text “2012 LungA”. On the right, three large fabric banners in red and yellow hang from a ceiling, each depicting a rearing black horse.
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GUNMAD: Lunga

A white book lies on a white surface. The cover features bold black text that reads “LungA 2000–2010 Listahátid ungs folks, Austurlandi” alongside a small, grainy black and white photograph.
Above

GUNMAD: Lunga

Six open spreads from a black and white publication. The pages feature a mix of photography, dense columns of text and bold headings in both Icelandic and English, including “Thursday”, “Saturday” and “The Imagination Workshop”.
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GUNMAD: Lunga

Where do you work?

By e-mail and Skype. Since 2006 we haven’t lived in the same city, but have kept on working together despite that.  At the moment we live in Reykjavík and London where we have our own studios, though we try to get together when projects allow it.

How does your working day start?

With coffee and tea.

How do you work and how has that changed?

We always start throwing ideas around by email or Skype conversations. We each research in our own corner and then start sketching. Sometimes, when we’ve agreed on a sketch that is worth pursuing, one of us takes over and finishes the work. If the projects are big, we meet up and take working sessions. It’s a very interesting working method actually, it hasn’t really changed since 2007. At some point we’ll be at the same place and then things will change. 

Where would we find you when you’re not at work?

At band practice or listening to records.

Would you intern for yourself?

It would be quite interesting to intern for us right now.

Two posters hang on a white wall. The first is white with a small image of a rock and the text “An Idea Once but no longer Fulfilling”. The second is a red, curved sheet with the words “Bog Buch Livre Libri” in bold white type.
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GUNMAD: Lloyd Poster / Swiss Poster

An open book shows two pages of bold, black typography on a white background. The left page lists pairs of words and names, including “Eminem fan go” and “VW xy Zone”.
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GUNMAD: New work

A white poster is taped to a plain white wall. It features a vertical list of words in a black serif font that reads “I or Me or Ego or We”.
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GUNMAD: New work

A collage featuring large black text that reads “They or Pau” and “þú or Who”. The words are surrounded by small photographs of people, landscapes and objects, including the Grand Canyon and the Eiffel Tower.
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GUNMAD: New work

A collage featuring the word “That” in a large, black serif typeface against a white background. The word is surrounded by various small photographs, including a maze, a loaf of bread, and several portraits.
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GUNMAD: New work

Three posters hang side by side on a white wall. The black and white posters read “The Boogie at the Opera”, with the third featuring a colourful, abstract graphic.
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GUNMAD: Boogie Posters

A white poster hangs on a gallery wall, featuring a bold red paint stroke. The words “Run”, “Ran” and “Run” are printed in black over the paint.
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GUNMAD: Residency

An art installation in a white gallery space. A large, translucent banner hangs from the ceiling with the hand-painted text “You’re talking a lot but you’re”. A matching piece of fabric on the floor completes the phrase with “not saying anything”.
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GUNMAD: Residency

Two framed prints lean against a white wall. Each features a high-contrast, abstract black shape on a white background, resembling distorted silhouettes or ink blots.
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GUNMAD: Residency

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Further Info

About the Author

James Cartwright

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James started out as an intern in 2011 and came back in summer of 2012 to work online and latterly as Print Editor, before leaving in May 2015.

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