It’s almost unthinkable that any of Henri Cartier-Bresson’s photographs could ever have gone unpublished. The father of modern photojournalism had such a natural and easy understanding of his craft that all of his images offer the viewer snippets of an intriguing story – a slice of everyday narrative – rendered with the kind of precision that hoards of photographers since have sought to mimic.
But in fact this is not the case. Until this month his sensational shots of the Vélodrome D’Hiver, from Paris 1957, have been lost to all but the most privileged eyes at Magnum. But this month they’re available for all to see in Rouleur 34.
Accompanied by an illuminating article on the Vél D’Hiv and a background on Cartier-Bresson himself the images offer an unprecedented look at Parisian velodrome racing and the accompanying glamour and spectacle – aspects that have been all but lost from today’s version of the sport. Even if bikes aren’t your thing you can’t fail to appreciate the remarkable skill of a photographic talent that has yet to be matched.
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- Cordova Canillas commission photographers to create a spot the difference illusion for Tunica
- Pictoplasma New York showed how character design can spread joy and important messages
- Lalita Lupina animates the inner turmoil and anxiety felt at an indoor swimming pool
- Meet illustrator Inji Seo's cast of curvy characters
- Riposte magazine meets graphic designer Sheila Levrant de Bretteville
- Parker Day's lurid colours and grotesque characters elevate identity and fantasy (NSFW)
- Paper reveals Break the Internet take two, with Nicki Minaj shot by Ellen von Unwerth
- Bea de Giacomo photographs the wonders of pregnancy
- Matthieu Lavanchy recreates food emojis "irl" for The Gourmand's tenth issue
- Introducing Broccoli, the publication “normalising cannabis use, especially for women”
- One Step Ahead: we meet Paula Scher, the trailblazing Pentagram Partner