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A dachshund stands on a white trestle desk next to an open laptop. Behind them, wooden blinds cover a window and shelves are filled with books.

Introducing…Illustrator Thomas Slater will turn that frown upside down

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Date
25 April 2013

Not only does Thomas Slater have the cutest dog ever, his illustrations are rather brilliant too. Thomas’ desire to put a smile on people’s faces has certainly paid off, especially Bad Guys Doing Not So Bad Things, where you come across Bond villian Oddjob casually walking his neighbour’s dog (what a nice guy!).

We really love the zine influenced by rush hour in London, capturing the glorious sights and sounds of our lovely, crowded city in its peak moments and if you leaf through it you are left with smudges on your fingers mimicking the smog or newsprint of the city’s free newspapers. We wanted to delve a little deeperc so tracked down Thomas to ask him a few questions…

Three illustrations of James Bond villains in mundane situations. Blofeld is shown in a green line drawing at a homeless shelter, Jaws in red playing drums at a wedding, and Oddjob in blue walking a dog.
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Thomas Slater: Bad Guys Doing Not So Bad Things

A red and white illustration of a person playing a drum kit. Above them, bold text reads “JAWS!”, while text at the bottom reads “THE DRUMS AT A FAMILY WEDDIN”.
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Thomas Slater: Bad Guys Doing Not So Bad Things

Where do you work?

I work in my living room/studio in my flat in Camberwell, London. It’s a real sun-trap and I’ve got a great big desk, definitely my favourite workspace so far. I keep the studio side of things nice and tidy so people can come over and kick it in the evenings without having to dodge wet paint etc.

How does your working day start?

Up at half six, walk my sausage dog Henry, and then go out for a bike ride three or four times a week (Im trying my best to avoid the obvious perils of working from home and sitting on your butt all day). Then breakfast and emails by 9:30am or 10am, but quite often I end up working late so this schedule doesn’t always go exactly to plan.

Where would we find you when you’re not at work?

When I’m not working, I’m either watching YouTube or listening to gangster rap in my flat, in one of the local drinking establishments or coffee shops, at Elephant and Castle bowling alley, walking in the park, out on my bike, or at Stockwell on my skateboard.

How do you work and how has it changed?

I try and keep my process as varied as possible and avoid sticking to one exact method, for commercial and for personal work. But almost everything starts from a pencil, a rubber and some cheap paper. But I would have to say that the light box is probably my most used tool. Whilst at college I was very reluctant to use the computer but when working as an illustrator in 2013 you have to embrace it, and now I really enjoy drawing straight into the computer sometimes. I can’t think of another medium where you can draw a bold and confident permanent marker style line and then get rid of it without a trace.

Would you intern for yourself?

I think I would get fed up of interning for myself due to the odd hours, but there would always be good sandwiches for the intern at lunchtime and the dog to play with.

An illustration of a shirtless person wearing red tracksuits and white trainers, standing with their hands on their hips. The text “POST WEEKEND” is written at the bottom of the print.
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Thomas Slater: Post Weekend

An illustration of a figure wearing red trousers and white Nike sneakers, lying across a yellow landscape. The figure is partially obscured by the terrain, with only their legs and head visible.
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Thomas Slater: Pre Weekend

A red booklet lies on a light wood surface. The cover features a bold illustration of a person in a suit and hat carrying a briefcase and umbrella, with the words “RUSH HOUR” printed above.
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Thomas Slater: Rush Hour

A black dachshund with a blue collar sits on a light wood table. In front of them lies an open sketchbook featuring two black and white illustrations, one of which includes the word “REBELS”.
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Thomas Slater: Rush Hour

A black and white ink illustration across two pages of an open sketchbook. The left page shows people sitting in a crowded vehicle, while the right page shows the front of a bus with a driver at the wheel.
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Thomas Slater: Rush Hour

A black and white illustration of two London Underground carriages. Stylised figures fill the windows, and the iconic roundel logo appears below each carriage alongside the text “Tox 03”.
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Thomas Slater: Rush Hour

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About the Author

Holly Wilkins

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