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An open book shows a spread of photographs. On the left, a person in a blue outfit leans against a motorcycle; on the right, a smaller photo shows a magazine titled “Biker Girls”.

The top five books of Dazed and Confused Editor, Isabella Burley

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Date
16 September 2014

Want to know a surprising secret about self-proclaimed “book obsessive” and Dazed & Confused editor Isabella Burley? She can’t stand big coffee-table-sized fashion books. “I’ve always taken my references from art, pop culture, photography and sex zines rather than fashion,” she told us. “That’s really come to shape the way I approach our fashion content within Dazed.”

At the tail-end of London Fashion Week, we wanted to hear about the publications that have moulded Isabella’s rise to editor-status at arguably one of the most lauded, sensational and historic fashion magazines in the UK. Like most Bookshelf contributors, Isabella struggled to whittle down her collection to five treasured nuggets. The ones she has selected are perfect, and give you a crystal clear idea of how passionate, different and creatively alert she is. Now where can we get our hands on that Larry Clark book…

A close-up photograph of a person’s groin area. A tattoo on the skin reads “Larry”.
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Larry Clark

A collection of black and white photographs and clippings are pinned to a white wall. The images feature nude figures and a poster for “Larry Clark”.
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Larry Clark

A grid of contact sheet photographs shows a shirtless person posing in various positions outdoors. The images capture a series of subtle shifts in posture and expression across four rows.
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Larry Clark

A collage of small, candid photographs showing a person in various poses. They are mostly shirtless, appearing in domestic settings and outdoors.
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Larry Clark

Larry Clark

This has to be the best cover in the world, right? I also love that it comes packaged like a vinyl with a wipe-clean plastic slip and accompanied by two large posters. I was lucky enough to interview Larry Clark for Dazed a few months ago. It was just after I’d spent three hours and all my money at his snapshot sale at the Simon Lee Gallery. He was everything I’ve hoped for, which usually doesn’t happen when you interview your hero.

The cover of a book titled “The Fourth Sex: Adolescent Extremes”. It features a black and white portrait of a person with a black, abstract shape covering part of their face.
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Fourth Sex: Adolescent Extremes

An open book shows a photograph of two nude people perched in the branches of a leafy tree. One person stands with their back to the camera, while the other sits higher up, looking towards them.
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Fourth Sex: Adolescent Extremes

An open book shows a photograph of two nude figures entwined in an embrace. They stand on a dark, rocky plinth surrounded by large green leaves, wearing oversized white fluffy slippers.
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Fourth Sex: Adolescent Extremes

An open book shows a portrait of a young River Phoenix on the right page, with a cigarette in their mouth. The left page features a handwritten note and a small ceramic bowl.
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Fourth Sex: Adolescent Extremes

Fourth Sex: Adolescent Extremes

I’d been looking for this book for about two years before I spotted it in the window of a bookshop in New York. It’s like the Holy Bible of youth subcultures. I’m obsessed with everything in it – from Chris Cunningham’s 1999 Mental Wealth PlayStation commercial to Nigel Shafran’s Teenage Precinct Shoppers series. Not to mention that Raf Simons edited it and Peter De Potter was one of the image research coordinators.

An open book shows a photograph of a person with a shaved temple leaning against a motorcycle. They wear a blue outfit and have tattoos on their back and leg. Opposite the photo is a smaller image of a magazine cover.
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Richard Prince: Lynn Valley

An open book shows two photographs. On the left, a person with a large tiger tattoo across their chest looks at the camera. On the right, a smaller photo shows a person with arms crossed wearing a dark T-shirt.
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Richard Prince: Lynn Valley

An open book shows two pages of photography. The left page features a small image of a white sign with text, while the right page shows a collection of black and white portraits leaning against a wall.
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Richard Prince: Lynn Valley

An open book displays a collection of photographs. On the right, two people pose shirtless outdoors, both wearing sunglasses. To the left, a smaller blue-tinted photo shows two people in swimwear.
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Richard Prince: Lynn Valley

Richard Prince: Lynn Valley

I found this at the bookshop at LACMA in LA. I love his Girlfriends series – all of these amazing girls sprawled over motorbikes. He shot women that he found in cult biker magazines – they were often submission images sent in by their boyfriends (hence the name) – and tried to recreate some of the editorials.

An open book displays two photographs of a person lying down, with white cords or wires draped across their body. The images are accompanied by columns of descriptive text.
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Christiane Meyer-Stoll: Nobuyoshi Araki, Diane Arbus and Nan Goldin

An open book displays two pages of photography and German text. One page shows a couple in formal wear and a close-up of a person reclining, while the opposite page features a portrait of a shirtless person sitting in a room.
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Christiane Meyer-Stoll: Nobuyoshi Araki, Diane Arbus and Nan Goldin

An open book shows a page of text facing a full-page photograph. The photo depicts two people with bold makeup and styled hair, posing together against a dark background.
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Christiane Meyer-Stoll: Nobuyoshi Araki, Diane Arbus and Nan Goldin

Christiane Meyer-Stoll: Nobuyoshi Araki, Diane Arbus and Nan Goldin

I bought this book when I was 18 and it’s still one of my favourites. It’s so great to see the work of all three photographers together. It contains two of my favourite Araki images taken from his 1994 Untitled (Obscenities) series of a girl lying on blue bedsheets. He scratched into the film to create these amazing white lines that obscure the images. Araki at his best!

A grey book cover featuring two images and text. The top image shows a small object on a plain background with the caption “I SAW IT”, while the bottom image is a detailed sketch of a crowd. Bold text reads “ICH HABE ES GESEHEN” and “John Baldessari und Goya”.
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John Baldessari and Goya: Ich habe es gesehen

An open book displays two contrasting images side by side. On the left is a dark, textured print of a chaotic scene, and on the right is a minimalist image of a small object above the text “SAY NOTHING”.
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John Baldessari and Goya: Ich habe es gesehen

An open book displays two images side by side. On the left is a dark, dramatic illustration of figures in a chaotic scene, while the right page shows a photograph of a sealed envelope above the text “ONE CANNOT BEAR TO LOOK AT IT”.
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John Baldessari and Goya: Ich habe es gesehen

An open book shows two black and white images side by side. On the left, a print depicts figures in period dress in a dark setting, while the right page shows a floral arrangement with the text “THERE ISN’T TIME” below it.
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John Baldessari and Goya: Ich habe es gesehen

John Baldessari and Goya: Ich habe es gesehen

I interviewed John Baldessari a few weeks ago for our next issue. I think people often forget how influential his work really is and how much he has radically altered people’s perceptions of art. There is this great image of him taken in the late 1960s where he’s wearing a denim jacket with a patch that reads “Born to Paint.” It was made for him by one of the Hells Angels, very cool.

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About the Author

Liv Siddall

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Liv joined It’s Nice That as an intern in 2011 and worked across online, print and events, and was latterly Features Editor before leaving in May 2015.

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