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A black and white illustration featuring a dense cluster of stylised, bird-like figures. The characters are drawn with bold, looping lines and simple facial features, filling the frame in a playful, chaotic arrangement.

Jacek Rudzki on graphic design, collecting trash, and returning to a childlike sense of creative freedom

The Polish graphic designer’s multifaceted practice spans everything from big branding gigs to pin badges, with “no project too small” to take some joy from.

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Date
9 October 2024

When we ask designers what inspires their practice, they can often mention pioneering figures in industry, reference historical or contemporary styles or movements, or perhaps make note of the more everyday visuals that often feed into their work. When we asked Jacek Rudzki aka Jacek Rudzki Znajomy Grafik for an insight into his creative influences however, he put forward his four-year-old daughter Maja as “the biggest inspiration” behind his work. “I love to observe her creative freedom, ignorance of the rules and just having fun with the process. Thanks to her, after years of practice, I’m trying to reintroduce these values ​​in my work. I think that this is the most important thing for me now,” he shares.

With 15 years of experience in the field, the graphic designer’s practice is multifaceted. He splits his time across his role as a brand designer at Tonik agency, crafting clever visual identities for developing startups, his freelance graphic design work, and his various self-initiated creative projects that are always keeping the joy alive. In his freelance pursuits, Jacek has covered commissions in the worlds of publication design, album cover design, culture and branding — all areas that over the years have “somehow come from my personal interests” he says. “I love music, books, posters, and print, which is why commissions that I do the most circle around these fields.”

Working on commissions of all sizes for his own clients, the designer believes there is “no project too small.” Alongside the larger creative endeavours, he takes pleasure in the smallest design jobs, such as crafting ephemera like “gig flyers or tiny pins” — “often the smaller projects limited by budgets are much more fun and interesting to dive into. They allow for greater creative freedom,” he shares. Speaking of ephemera, something that is an integral part of Jacek’s graphic design practice is the act of collecting — things like “records, found ephemera or prints”, he explains. “I use them for inspiration and sometimes they turn into actual projects,” – for example his Graphic Trash Collection — an ongoing monochromatic archive of found graphics that might be worth a follow, for the graphic design nerds out there!

An abstract collage poster featuring bold blue and orange geometric shapes and two large, textured black circles. At the bottom, a white banner reads “BEATS BOUTIQUE” alongside the date “14 OKTOBER 2023” and a list of performers.
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Jacek Rudzki: Beats Boutique (Copyright © Jacek Rudzki, 2024)

A series of abstract graphic designs for “Paperbox”, featuring bold geometric shapes in primary colours on white backgrounds. The layouts vary from minimalist compositions to dense, grid-like patterns.
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Jacek Rudzki: Paper Box 1 (Copyright © Jacek Rudzki, 2024)

Three colourful posters for the “Blue Summer Jazz Festival” are set against a red background. The central poster features a black and white portrait of Alfa Mist, with the date “18.08.2024” and event details below.
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Jacek Rudzki Blue Summer Jazz Festival (Copyright © Jacek Rudzki, 2024)

A portrait of Bruno Berle, partially obscured by a collage of bright, stylised flowers in blue, red, yellow and pink. A transparent overlay reads “Bruno Berle” and “10.05.2024”, with details for a European tour and a record store in Krakow.
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Jacek Rudzki: Bruno Berle (Copyright © Jacek Rudzki, 2024)

A grid of 50 different vinyl record sleeves and discs. The collection features a diverse range of graphic styles, from bold typography and abstract patterns to photography and illustrations.
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Jacek Rudzki: 7.0in 17.78cm (Copyright © Jacek-Rudzki, 2024)

An animation of a cassette tape case centered against a distorted, glitchy background of blue and gold pixels. The cover art cycles through different layouts and photographs, featuring the text “OMASTA LESZEK ZADŁO”.
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Jacek Rudzki: Omasta (Copyright © Jacek Rudzki, 2024)

A clear acrylic box contains a white booklet with the words “Urb.” and “Basic Batch” at the top. The cover features a grey architectural image and the text “Blunted Astronaut BA-012” at the bottom.
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Jacek Rudzki: URB Basic Batch (Copyright © Jacek-Rudzki, 2024)

A grid of 12 black and white posters for “Paul’s Boutique Record Store”. The designs feature high-contrast photography of a person and distorted, gothic-style typography that reads “Włodi”.
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Jacek Rudzki: Wlodi (Copyright © Jacek-Rudzki, 2024)

An animation of a white circular record label rotating against a black background. The label features a black abstract figure in the centre and the words “ME U JAZZ” repeated around the edge.
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Jacek Rudzki: U Jazz Me Records (Copyright © Jacek Rudzki, 2024)

A black T-shirt is displayed against a pink wall covered in graffiti. The back of the shirt features a white graphic of a stylised figure and the text “Targowa²”, followed by a short paragraph in Polish.
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Jacek Rudzki: Targowa (Copyright © Jacek Rudzki, 2024)

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Jacek Rudzki: Birds (Copyright © Jacek-Rudzki, 2024)

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About the Author

Ellis Tree

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Ellis Tree (she/her) is a staff writer at It’s Nice That. She joined as a junior writer in April 2024 after graduating from Kingston School of Art with a degree in Graphic Design. Across her research, writing and visual work she has a particular interest in printmaking, self-publishing and expanded approaches to photography. ert@itsnicethat.com

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