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A black and white photograph of an owl perched on a low, fabric-covered wooden bench. The owl looks directly at the camera against a plain, neutral background.
A black and white photograph of an owl perched on a low, fabric-covered wooden bench. The owl looks directly at the camera against a plain, neutral background.

Photographer Jack Latham investigates the hidden conspiracies of Bohemian Grove

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Date
18 July 2019

Burrowed within the redwood forests of Monte Rio in northern California, there sits a place of utmost secrecy. Bohemian Grove – a 2,700-acre retreat owned by the San Fransisco-based gentlemen’s club, the Bohemian Club, founded in 1872 – is the home of a yearly two-week summer retreat that is frequented by the political and business elite of the world.

With members such as former US presidents, senior media executives and high-profile men in positions of power, the club is concealed with confidentiality, the unknown activities taking place at the Grove stirring countless conspiracy theories and rumours. So much so, that in 2000, the then-unknown Alex Jones – founder of InfoWars, the far-right American conspiracy theory and fake news website – broke into the retreat in an attempt to expose it. This lead to a groundbreaking film that saw the “Cremation of Care” come into public light – that is, a ceremony which an effigy of the members’ “worldly cares” is burnt. Alex even claimed, and still does, that the world elite members of the occult would potentially partake in human sacrifice.

Unsurprisingly, the chronicles of Bohemian Grove attracted the attention of the Bristol-based photographer, Jack Latham. In his new series and publication, Parliament of Owls, published by London-based Here Press, he targets and investigates the mystery and theories surrounding the event. “Bohemian Grove is shrouded in secrecy, it doesn’t share with the public its events, membership list or lakeside talks,” Jack tells It’s Nice That. “This is one of the largest gatherings of wealth and politics that happens yearly and the public are excluded from knowing what goes on inside. This vacuum on information creates ample opportunities for others to project new meaning, disinformation and conspiracy theories about the events inside. Some of which have real-world effects as a result.”

A person wearing a distorted, pale mask and long hair stands in a dense woodland. They lean against a rustic wooden fence beside a small sphinx statue.
Above

Jack Latham: Mary as Nixon, Camp Meeker

Although unsure of where he first heard about Bohemian Grove – “I think I first read about it in Jon Ronson’s Them” – Jack has spent the past few years working around conspiracy theories, as seen in his previous project Sugar Paper Theories. Within Parliament of Owls, he blends a fascinating mixture of his own black and white photography with 13 transcripts from various sources, as well as an essay by Professor Peter Phillips. With 73 images in total, Jack captures the Bohemian Car Park in Monte Rio, the main stage at Mitchell Brothers O’Farrell Theatre, a strip club in San Fransisco, as well as numerous characters wearing masks – as seen in Mary as Nixon, Camp Meeker.

A key subject, as per the series’ title, is the owl. “The owl is the Bohemian Club’s mascot,” says Jack. “I would imagine it was chosen because it has historically been associated with wisdom and intellect.” It’s also been documented that the members worship a “45-foot stone owl god,” as stated by Alex in his film and excerpt published in Parliament of Owls. The owl is indeed symbolic for wisdom, but also references truth and knowledge – something which is ironically lacking with the stories of Bohemian Grove. So perhaps we can look at Jack’s series as a piece of commentary on the need to conspire against the untold. But what is it that draws people towards conspiracy theories? And why are we lured in by the unknown? In light of Bohemian Grove, it seems we will never truly know.

A person stands in a garage wearing a dark jumpsuit and a skull mask. They hold a weapon and wear a belt with two stars, posed against a white shutter door.
Above

Jack Latham: The Phantom Patriot, Nevada

A black and white photo of an empty stage draped in shimmering silver curtains. A disco ball hangs from the ceiling above a polished wooden floor, with rows of empty seats in the foreground.
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Jack Latham: Main Stage at Mitchell Brothers O’Farrell Theatre, San Francisco

A black and white photograph of a dense forest. In the centre, a tall, slender lamp post stands among the dark tree trunks.
Above

Jack Latham: Bohemian Grove Car Park, Monte Rio

A person stands chest-deep in a dark river, looking towards the camera. Behind them, a concrete bridge pillar features a sign that reads “DANGER NO SWIMMING NO WADING”.
Above

Jack Latham: Nathaniel, Monte Rio

A cluttered room filled with stacks of newspapers, magazines and pamphlets. Banners and posters hang from the walls and ceiling, including one that reads “The 2008 5th District Race”.
Above

Jack Latham: Protest Cabin #2, Camp Meeker

A cluttered shop interior filled with counter-culture memorabilia. A row of masks sits on a high shelf above a collection of T-shirts, including one featuring a portrait of Bob Marley. Various pamphlets and posters are displayed below, including one that reads “The Anniversary of the March on Washington”.
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Jack Latham: Protest Cabin #3, Camp Meeker

A black and white photograph looking up through a canopy of dark trees. The dense foliage frames a bright, pale sky in the centre.
Above

Jack Latham: Redwood Opening, Occidental

A person in a baseball cap and jacket leans on a bar counter in a dimly lit room. Thousands of banknotes are pinned to the ceiling above them.
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Jack Latham: Ronald at the Bar, Petaluma

A black and white photograph of a dense forest of tall evergreen trees. Leafy branches frame the top and sides of the view, looking across a valley towards a wooded hillside.
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Jack Latham: Viewing Platform, Monte Rio

A wide black and white landscape shows a bridge spanning a river between rolling hills. In the foreground, a small cluster of buildings and parked cars sit nestled among dense trees.
Above

Jack Latham: Russian River, Jenner

A person stands centrally against a plain, light-coloured wall in a black and white photograph. They wear a dark polo shirt and trousers, looking directly at the camera.
Above

Jack Latham: Mike Hanson, Gonzales, Texas

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About the Author

Ayla Angelos

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Ayla is a London-based freelance writer, editor and consultant specialising in art, photography, design and culture. After joining It’s Nice That in 2017 as editorial assistant, she was interim online editor in 2022/2023 and continues to work with us on a freelance basis. She has written for i-D, Dazed, AnOther, WePresent, Port, Elephant and more, and she is also the managing editor of design magazine Anima. 

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