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A 3D render of tiny pink figures climbing over giant white computer keys. One figure plants a pink flag on the “Ctrl” key, while others scale the sides or walk across a bridge.

Jan Siemen adopts a vector style for his conceptual illustrations

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Date
6 October 2017

Jan Siemen sees illustration as a hobby, a side project to his graphic service company Sons of Ipanema. “I needed a little change so I created a few illustrations and found my own style and just started posting them on Instagram,” explains Jan.

Influenced by cartoons and old surreal paintings, Jan plays with light and shadow to create an atmosphere. “I’ve always liked the vector format and its own aesthetic,” he says of his style. “So I tried to combine the forms, shapes and colours you could get out of vector tools with my conceptual ideas and grainy texture.”

Inspired by the everyday, Jan often plays with perspective and visual puns in his work. Throughout there are instances that make the viewer look twice, with diving boards being used the opposite way, a giant origami dog on a lead and people climbing over a keyboard. In terms of Jan’s creative process he often notes down and scribbles out his ideas as a starting point. “If I like something very much I start with the final illustration,” he says. “I set up shapes and forms, colours, lights and shades in Illustrator and add some texture and colour adjustment in Photoshop.”

Though he mostly creates illustrations for fun, when working on briefs and commissions, Jan enjoys the challenge of working with a direction in mind and a “finish line to cross”. He’s careful to keep his own style in check though, and hopes to convey “all the emotions you can have” depending on the illustration.

An illustration of a person slumped in a chair in a dark room. A glowing laptop screen rests on their head like a mask, casting a bright light forward.
Above

Jan Siemen

An illustration of a person standing on a wooden pier, holding a white tablet in front of their face. They look out over a calm sea under a hazy, golden sky.
Above

Jan Siemen

A 3D render of a person standing on high scaffolding, painting a giant white circle onto a dark wall. The scene is set at night, with the figure dwarfed by the scale of the artwork and the surrounding architecture.
Above

Jan Siemen

A 3D render of a silhouette wearing a red and black checkered shirt against a red background. A rectangular cutout in the chest reveals a bright blue sky with white clouds.
Above

Jan Siemen

An illustration of a person in white underwear standing on a small platform. They look up at a towering, monolithic blue building that stretches beyond the frame.
Above

Jan Siemen

An illustration of a person standing on a dark platform beside a large, glowing orange window. A paper-folded dog sits on a leash next to them, illuminated by a single street lamp.
Above

Jan Siemen

An illustration of a dark grey mug filled with black coffee. A lit cigarette rests on the rim, with a thick plume of dark purple smoke rising into the air.
Above

Jan Siemen

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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