These photographs should carry a warning; they depict such a gloriously idyllic lifestyle they’ll soon have hoards of office workers throwing their suitcases out of nineteenth floor windows and marching, pot plants under arm, to a brighter pastel-shaded future living in slumbering Mexican villages.
Venturing out of Vancouver, photographer Jennilee Marigomen took her observational eye south to document, in devastatingly beautiful detail, precise moments and everyday objects. The series is in character with her envious Instagram feed and artful still-lifes, and finds itself published in her first colour book Window Seat.
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