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Three white ceramic vessels with irregular, textured surfaces and yellow and black markings. The tallest vase holds a bunch of dried greenery and brown foliage, flanked by two smaller pots containing small green plants.

Jessica Hans makes beautifully misshapen vases

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Date
8 October 2014

There’s something very fun and raw about Jessica Hans’ vases and her approach to ceramics in general. Based in Philadelphia, she’s had a longstanding interest in foraging and raw materials since university; this has carried over into her ceramics work, which in the past has seen her driving to clay sites, digging her materials out of the ground and then firing them in their original state to see what would happen.

With this in mind, it’s best to approach Jessica’s vases with an understanding that this is about using materials in their natural state, rather than the kind of ceramics where every curve is perfectly formed and there’s not a deformed nodule in sight.

I love the free-form shape of these vases and the beautiful way she’s presented them with clean and cool photography. It makes them more than just decorative objects and elevates them into artefacts adorned with greenery. The sporadic patterns and colours add to the inconstancies in shape wonderfully and it’s the uniqueness of each piece that’s so appealing. This is ceramics on Jessica’s terms and I am totally behind the irregularity, unevenness and misshapen beauty of it all.

Two ceramic vessels with white glazes and organic, irregular shapes. The larger piece is a tall, tapered vase with drips of yellow and green paint, while the smaller piece is a low, textured pot.
Above

Jessica Hans: Confetti Vase and Pinch Pot

Two ceramic vases with a textured, patterned surface in red, blue and green. A thin green branch with leaves leans out of the smaller vase, with another sprig lying on the white surface below.
Above

Jessica Hans: Bubblegum Crackle Vases (large and small)

Two white ceramic vases with irregular, organic shapes. Both are decorated with soft, pale green washes of colour against a plain white background.
Above

Jessica Hans: Ice Vases (large and small)

A ceramic vase with a dark brown glaze and white crackled patterns. A spray of long, thin pine needles extends from the neck against a plain white background.
Above

Jessica Hans: Black and White Crackle Vase

A white ceramic vase with a bulbous, irregular form and a textured, lumpy surface. Small splatters of blue glaze and grey mineral deposits are scattered across the body.
Above

Jessica Hans: Salt Lake Vase

Three organic, hand-built ceramic vases with irregular shapes and pale green splatters. One vase holds a single leafy branch that reaches upwards against a plain white background.
Above

Jessica Hans: Jungle Vases

Two ceramic vases with a rough, textured finish against a plain white background. One stands upright while the other lies on its side, both featuring speckled patterns in blue and yellow.
Above

Jessica Hans: Hokusai Vases in Lemon and Blue

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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