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A whole fish and a bunch of bok choy sit on a plate with a yellow and blue geometric border. Beside them is a bowl of white rice featuring a red symbol on top.

John Yuyi’s images highlight the interrelation between humans and digital technology

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Date
6 August 2018

John Yuyi wants to change how we think about the internet as an artistic space. Instantly recognisable for her images that use temporary tattoos, Yuyi explores the role social media plays in our everyday lives.

If you’ve never used Facebook, congratulations. Most of us have, and most of us have used it to show the virtual world images of ourselves or our friends. Yuyi thought it’d be fun to subvert that by placing social media stickers on her face, and posting the results online, creating a continuous layering of skin on skin, Facebook upon faces and faces on Facebook.

Yuyi also uses her body as a canvas, becoming a work of art whilst simultaneously being an artist. “I think a lot of people use themselves to build a persona on social media”, she explains. “It’s trendy for people to show not only their work, but also their faces”. We all have bodies, which is why when we look at Yuyi’s work, it is instantly relatable.

Yuyi is obsessed with skin, its uniqueness and individuality. Each of us has a defining feature; a crease in their skin, a dimple or a freckle below the mouth. Working with the body is an exploration of this intimacy; it is lying next to a person and tracing them from toe to forehead. “I always try to remember the people I am close to, like my family or my ex-boyfriend”, Yuyi explains. “The position and placement of a mole on their skin”. These markers feed into her art, which is personal and detailed.

Yuyi has a background in fashion; she studied it at University when in Taiwan and has worked as a stylist for over three years. It was only once she moved to New York that she genuinely considered herself an artist. However, it wasn’t her that first initiated this title, rather the people that followed her online. The work that she does has a strong connection with the fashion industry, having recently worked on campaigns for Gucci and Nike, producing images that emphasise the familiarity of logos and how advertising can seep deep into the psyche. When we look at her instant tattoos, we recognise what brand she’s eluding to, yet she does it in a contemporary and exciting manner.

“I realised I was terrible at expressing myself with words”, Yuyi tells us. “Images are how I express my feelings. This idea of communication or relationships with friends, lovers and society plays a strong role in my work”.

A recent project for Nylon, China sees Yuyi temporary tattooing food with QR codes and the Chinese Yen. When the artist visited Shanghai for her exhibition, she realised how advanced the city was concerning technology. “Every time I tried to use cash in a convenient store, they rejected me; they asked me to use the QR code to pay”. Phones have replaced cards and cash as the preferred payment system. The series for Nylon explores this idea, how even the most basic product has become modernised.

Yuyi’s work explores how humans can no longer be separated from digital technology; our way of life has become so enveloped by it, that it has almost become like an extra limb.

A person holds a fish upright against a clear blue sky and a blurred city skyline. A gold-coloured rectangular label is stuck to the side of the fish.
Above

John Yuyi: Nylon China

A person holds a head of bok choy against a bright blue background. A QR code and the price “¥100.00” are printed directly onto the white stem of the vegetable.
Above

John Yuyi: Nylon China

A person lifts a red T-shirt to reveal a red diamond-shaped sticker on their chest. The sticker features a black calligraphic character.
Above

John Yuyi

A person looks at the camera with various Tinder app interface elements layered over their face and body. These include a “Nope” button on their forehead, a “Super Like” button on their chest, and a notification reading “It’s a Match!”.
Above

John Yuyi

A close-up of a person’s ear featuring small, colourful tattoos along the outer rim. The tattoos include green numbers and a small red heart on the earlobe.
Above

John Yuyi

A person with slicked-back hair tilts their head back with eyes closed against a blue curtain. Their face, neck and chest are covered in small, colourful Japanese stickers and text fragments, including a red “Bigbang” label.
Above

John Yuyi

A person with straight black hair and dark purple lipstick looks at the camera. Small illustrations are applied to their skin, including a couple on their cheek and a landscape of a red mountain on their chest.
Above

John Yuyi

A photograph of a raw slab of pork belly on a white background. A detailed image of a nude person is printed onto the pale fat of the meat.
Above

John Yuyi

A detailed image of a person is etched into a slab of raw pork belly. The figure is shown from the front, standing against the pale fat and pink meat of the cut.
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John Yuyi

A close-up of a person's face with a piece of dark, crinkled plastic film pressed against their cheek. The film features a printed image of a classical sculpture's face.
Above

John Yuyi

A person wearing a red turtleneck and bright red lipstick poses against a red background. Small red characters are printed across the bridge of their nose.
Above

John Yuyi

A close-up of a person’s nose and lips. Red characters are painted across the bridge of the nose, and their lips are coated in bright red lipstick.
Above

John Yuyi

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About the Author

Emma Latham Phillips

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