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A dense installation of shimmering, metallic ribbons in red, gold, blue and silver. The strips hang in long, sweeping curves, creating a layered curtain of reflective colour.

New show opening today celebrates 3D painting and proves that Jonathan certainly has the gift of the Gabb

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Date
9 January 2013

When is a painting not a painting? When it’s the work of Jonathan Gabb, a South London based artist who creates extraordinary 3D pieces by mixing PVA glue and acrylic paint to produce his wonderfully colourful work. At first glance it appears to be pretty playful, which it is, but there’s also a real bedrock of theory behind his pieces and his references range from rococo architecture to Art Nouveau to Damien Hirst and Wayne Thiebaud.

Jonathan’s solo show System opens today at London’s WW Gallery and came about after he won the inaugural SOLO award, part of the prize for which included a three month residency to make site-specific works for the gallery. HIs longstanding interest in toying with the painting process – and with viewers’ expectations – developed while he was art school and sprung from a desire to “make reference to the act of painting in the works.”

He says: "I want to stretch the material value of paint in a 3D form in a way which transforms it into something else – the paint is freed from a fixed surface and can be viewed as an object.  

“Audiences have a greater understanding about art now and I want to show something that not only has a lot of thought put into it, but which is also enjoyable to look at. I think there is something very authoritative about the traditional method of painting, and I think that ties in with people’s expectations. With these works people engage with the material nature of the medium, more than the colour, in a way in which they usually wouldn’t with traditional painting.”

System runs until February 2.

A large-scale installation of colourful fabric strips hangs from a white ceiling in a gallery. The strips of yellow, blue, white, red and green drape downwards, creating a dense, textured curtain.
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Jonathan Gabb: System installation shot

A textile installation of vertical white strings, partially dipped in dark blue paint. To the left, a section of the strings sags in a deep curve against a black rectangular frame.
Above

Jonathan Gabb: System installation shot

A close-up of numerous vertical navy blue and white straps hanging in parallel rows. The straps are tied together in a horizontal line with small, neat knots.
Above

Jonathan Gabb: System installation shot

A large-scale installation of long, thin ribbons hanging from the ceiling and walls of a white gallery. The ribbons are primarily black and yellow, dipping in deep curves to touch the grey floor.
Above

Jonathan Gabb: System installation shot

A sculpture consisting of hundreds of thin white strings hanging from the ceiling to the floor. The middle section of the strings is dipped in black paint, creating a dense, dark band across the installation.
Above

Jonathan Gabb: System installation shot

A large-scale installation of yellow and white strings hangs from a ceiling, dipping down into sharp, stalactite-like points. The strings are framed by black tape along the floor and walls of a white room.
Above

Jonathan Gabb: System installation shot

A large-scale installation of long, thin ribbons in red, orange, yellow and blue. The colourful strips hang from the ceiling in dense, sweeping curves and vertical lines.
Above

Jonathan Gabb: Prime Titanium 4

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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