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Kahlil Joseph's short film for Flying Lotus is a sublime, emotive masterpiece.

Date
14 December 2012

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When somebody with the extraordinary talents of Emily Kai Bock recommends a bunch of creative film-makers to you, describing them as a MUST to check out, ears prick up, hairs stand on end and the follow up begins quick march style. And what a pleasure it was finding What Matters Most, and particularly Kahlil Joseph’s short film set to three sampled tracks from Flying Lotus’ latest album, Until The Quiet Comes.

You could be forgiven for thinking the titles of online posts can sometimes overstate the work presented, and with words such as “sublime” and “masterpiece” in this title you might feel it will be a hard benchmark to live up to. Let me assue you, Kahlil’s film far surpasses any superlatives on first viewing, rendering you speechless at its production values, cinematography as well as the narrative which is as heartbreakingly evocative as it is staggeringly powerful in its approach towards both the brutality and sublime beauty found in the streets of LA. Take notice, What Matters Most are a collection of artistic storytellers to keep an eye on!

A child in a white T-shirt looks upwards and away from the camera. A large palm tree stands behind them against a muted, golden sky.
Above

Kahlil Joseph: Until The Quiet Comes

A person pulls a long, thick streak of deep red paint across a pale yellow surface. The paint curves from a dark pool on the left to the person on the right.
Above

Kahlil Joseph: Until The Quiet Comes

Two children run across a wide, grassy field at dusk. Behind them, low-rise residential buildings sit under a deep red sky, illuminated by two tall floodlights.
Above

Kahlil Joseph: Until The Quiet Comes

A person wearing a black T-shirt and a gold chain looks down at a child. The T-shirt features bold white text that reads “J Dilla changed”.
Above

Kahlil Joseph: Until The Quiet Comes

A person dances on a concrete path at night, their arms outstretched. Other people stand nearby in the warm, yellow glow of street lighting.
Above

Kahlil Joseph: Until The Quiet Comes

A dark red vintage car is parked on a street at night under warm, orange street lighting. The rear of the vehicle is visible, showing a chrome bumper and a number plate that reads “3MAK139”.
Above

Kahlil Joseph: Until The Quiet Comes

A person floats suspended in deep blue water, their body arched back and one arm reaching forward. They wear a red top and dark trousers, surrounded by a void of dark turquoise.
Above

Kahlil Joseph: Until The Quiet Comes

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About the Author

Ross Bryant

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