“As the story goes, the young Kenzo Takada left his job cutting patterns at a Tokyo department store in the mid-1960s to try his luck in fashion in the French capital. When he arrived in Paris in 1964 he had no money, little command of French, and no contacts to speak of, but his characteristic wide-eyed wonder served him well.
“For a couple of years the Japanese designer sold drawings and designs to retailers to get by. Paris was in the midst of its new wave, populated with avant-garde writers, philosophers and thinkers, but the fashion world remained enamoured with the grand couture houses that had flourished in the post-war years. So when in 1970 Kenzo opened his first store, Jungle Jap, and filled it with innovative ready-to-wear designs created from flea market-bought swatches and elaborate prints in flamboyant colours, he quickly drew a clientele intrigued by his exotic approach…”
There’s more to this story of course, and as the fortunes of KENZO have risen, fallen and then risen again a raft of creative talent has passed through the company’s offices, building on Takada’s legacy. Which is exactly what we explore in the rest of our KENZO profile in the latest issue of Printed Pages…
- Photographer Craig Gibson shows his strength for putting strangers at ease
- Park magazine's first issue explores the theme of "the copy" in every walk of life
- “Less is enough”: New York’s Edition Studio on graphic design as an editing process
- Michael DeForge explores performing as a "healthy" person in his newest comic, Stunt
- Meet Jul Quanouai, the illustrator making two opposite styles work together
- Forth and Back releases a new book, comprising frozen imagery sourced from Google Earth
- Pentagram rebrands Warner Bros. with a “sleek and clean” update to its shield logo
- Manchester Girls, the new series from Dean Davies, is a visual homage to the women of the north
- Relive the lazy, hazy, crazy days of summer through Summer of Something Special
- Viktor Hübner photographs American anxieties amongst a shifting political environment
- Jiří Makovec’s photographs meander between the personal and the universal
- Berlin Wall graffiti is made into a typeface to warn how "division is freedom's biggest threat"