“As the story goes, the young Kenzo Takada left his job cutting patterns at a Tokyo department store in the mid-1960s to try his luck in fashion in the French capital. When he arrived in Paris in 1964 he had no money, little command of French, and no contacts to speak of, but his characteristic wide-eyed wonder served him well.
“For a couple of years the Japanese designer sold drawings and designs to retailers to get by. Paris was in the midst of its new wave, populated with avant-garde writers, philosophers and thinkers, but the fashion world remained enamoured with the grand couture houses that had flourished in the post-war years. So when in 1970 Kenzo opened his first store, Jungle Jap, and filled it with innovative ready-to-wear designs created from flea market-bought swatches and elaborate prints in flamboyant colours, he quickly drew a clientele intrigued by his exotic approach…”
There’s more to this story of course, and as the fortunes of KENZO have risen, fallen and then risen again a raft of creative talent has passed through the company’s offices, building on Takada’s legacy. Which is exactly what we explore in the rest of our KENZO profile in the latest issue of Printed Pages…
- Books From the Future talk us through its workshop on disaster in contemporary culture
- Molly Bounds paints intimate moments of quiet contemplation
- Friday Mixtape: Grand Union Orchestra's founder curates us a mix on the theme of migration
- Flat-e tells us how it made a visual interpretation of Daniel Avery's record in its entirety
- Girma Berta authentically captures the people of Addis Ababa with an iPhone
- Remember the pre-stage nerves and backstage stress in Alexander Coggin's photos of children's theatre
- Introducing The Graduates class of 2018!
- America's getting a space force and wants Trump supporters to choose its logo
- Swiss design practice Dinamo develops new visual identity for Tumblr
- Meet Adelia Lim, a graphic designer not afraid to poke a little fun at the industry
- Adobe has added 665 new Monotype fonts to Creative Cloud
- "What is my opinion?": Graphic designer James Aspey's research-focused, typographic practice