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A collection of geometric furniture pieces in various shapes, including cylinders and rectangular blocks. Each piece is covered in a dense, multi-coloured paint splatter effect against a white background.

Furniture Design: Kueng Caputo create a series of beautifully cosmic leather and enamel furniture

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Date
5 June 2014

There was a time when if someone said “leather furniture” to me, a horrid image of an ugly, olive green, squashy three-piece looking like it had had an allergic reaction to something was conjured. Thankfully, designers such as Kueng Caputo have refreshed my opinion of leather furniture by bringing it into the present day with an air of sophistication and coolness.

Sarah Kueng and Lovis Caputo, are based in Switzerland and their series Never Too Much is a stunning example of playing with materials and experimenting with different processes. Recently exhibited at Salon94 in New York, the project is a series of hand-painted benches, stools and bowls created using dyed leather and hard-wearing enamel.

Normally spattering white leather like this would cause hysterical shrieks, but here the result is a beautifully cosmic mix of psychedelic speckles housed in boxy, cylindrical shapes. The intricate processes used in making these pieces of furniture is really interesting. For instance the leather seats have gone through a more organic treatment by being spattered with vegetable stains haphazardly whereas the enamel bases have had a more methodical approach with each layer of colour being added separately.

Despite the different approaches, it’s wonderful how the series sits cohesively as a whole. And the beautiful photography by Sutter Caputo encapsulates the colourfully cool nature of these pieces perfectly.

Two cylindrical ceramic stools sit against a plain grey background. One is white with multi-coloured speckles and a dark brown base, while the other is white with soft pastel splashes and a matching white base.
Above

Kueng Caputo: Never Too Much

A collection of geometric sculptures in various colours and patterns. One piece consists of a white rectangular block with blue organic lines resting on a dark blue speckled cylinder. Beside it, a multi-coloured speckled cylinder is partially enclosed by a white speckled ring.
Above

Kueng Caputo: Never Too Much

Three colourful sculptures are stacked against a plain grey background. A long rectangular block rests across a cylinder and a cube, all featuring speckled, multi-coloured patterns.
Above

Kueng Caputo: Never Too Much

A shallow ceramic bowl with a speckled, multi-coloured glaze. Splashes of deep red and purple cluster in the centre, fading into pale blue and turquoise towards the edges.
Above

Kueng Caputo: Never Too Much

A cylindrical stool with a speckled, multi-coloured surface in shades of blue, green and orange. It is partially encased in a yellow, textured semi-circle base against a plain grey background.
Above

Kueng Caputo: Never Too Much

A shallow ceramic bowl with a wide, open rim, set against a plain grey background. The interior is covered in a dense, textured splatter of yellow, red and purple glazes.
Above

Kueng Caputo: Never Too Much

A collection of colourful, speckled sculptures and benches are scattered across a concrete gallery floor. The room features white walls and a ceiling of heavy, dark wooden beams.
Above

Kueng Caputo: Never Too Much at Salon94

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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