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An illustration of a crowd of teal-coloured people surrounding a single person in red. The person in red looks anxious while holding a notebook, as others lean in close to watch.

Illustration: Jean Jullien's amazing billboard for our London Graphic Centre collab

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Date
12 June 2014

When the London Graphic Centre asked us to commission the first creative to take over our new joint billboard project, Jean Jullien seemed an obvious choice. The massively talented illustrator has the perfect mix of technical skill and sly, funny ideas for us to let him loose on this exciting new showcase.

The billboard is an ongoing collaboration which will celebrate London-based visual talent in the heart of the London Graphic Centre, showing what happens when creative brilliance and the right materials come together.

Jean – whose work can currently be seen on posters across the London Underground network – was a perfect choice because he takes so much inspiration from the capital city.

“London inspires me for its diversity and open mindedness,” he told us. “People from all horizons and cultures converge here and somehow manage to live together while respecting their differences. It’s a beautiful human tale of modernity.

“I use observation a lot in my work; I love watching people and how they behave in the street, public transports, shops, restaurants. I find beauty in seeing a lonely figure in our sometimes austere urban landscape but my favourite thing is seeing people of all kinds interact with one another. “

You can see this is in his LGC illustration, “a tribute to how inspiring our daily routine can be.”

A close-up of a black ink drawing featuring a crowd of stylised figures. A black fineliner pen is poised to add a detail to a bearded figure wearing a cap.
Above

Jean Jullien: London Graphic Centre x It’s Nice That Billboard (sketch)

A black and white line illustration of a group of people huddled together. One person in the foreground draws in a spiral-bound sketchbook while another rests a hand on their shoulder.
Above

Jean Jullien: London Graphic Centre x It’s Nice That Billboard (sketch)

Jean’s mind may be restless but his approach is now quite standardised. “I use a black ink brush pen for the drawing – always the same one – and mostly recycled Muji notepads, although sometimes I also use graph paper for lettering and tracing paper for shading. I scan it and colour it all in on the computer – it’s much more flexible this way.”

He jumped at the chance to create a piece this big outside a gallery space (the billboard measures four metres by three metres). “I love working at a large scale. People are so used to see billboards selling them products that they often are happily surprised to see something this big used for a non commercial end. It’s just a very impactful scale to engage people, to catch their attention.”

You can see the billboard in person at the London Graphic Centre,16 Shelton Street, London.

A person in a red top draws a cluster of stylised faces in a sketchbook. Below, a separate page shows a comic strip layout with nine hand-drawn panels and handwritten notes.
Above

Jean Jullien: London Graphic Centre x It’s Nice That Billboard (sketch)

A person uses a black marker to draw a crowd of stylised figures on a piece of white paper. They work at a pink desk in a bright studio with large windows.
Above

Jean Jullien: London Graphic Centre x It’s Nice That Billboard (sketch)

A person in a red sweater draws a crowd of stylised figures on a white canvas. They use a black marker, with the canvas resting on a bright pink surface.
Above

Jean Jullien: London Graphic Centre x It’s Nice That Billboard (sketch)

A black ink pen draws a group of stylised people in a simple line illustration. The figures are crowded together, with a focus on a person with a beard.
Above

Jean Jullien: London Graphic Centre x It’s Nice That Billboard (sketch)

A series of nine hand-drawn sketches arranged in a grid on a white page. Each simple ink drawing is accompanied by a handwritten caption, including “Neighbours”, “Escalators” and “Broken Phone”.
Above

Jean Jullien: London Graphic Centre x It’s Nice That Billboard (sketch)

A black and white line illustration of a dense crowd of people. In the centre, a person holds a small notebook while others lean in to look.
Above

Jean Jullien: London Graphic Centre x It’s Nice That Billboard (sketch)

An illustration of a crowd of blue-toned figures surrounding a single person in red. The central figure holds a white notepad and looks anxious as the others lean in close.
Above

Jean Jullien: London Graphic Centre x It’s Nice That Billboard

An illustration of a red-coloured figure sitting at a desk, writing in a notebook. They are surrounded by a crowd of blue-toned figures who lean in to watch.
Above

Jean Jullien: London Graphic Centre x It’s Nice That Billboard

A view looking up a set of stairs into a bright art supply store. To the right, a large illustration shows a red figure surrounded by a crowd of blue figures.
Above

Jean Jullien: London Graphic Centre x It’s Nice That Billboard

In partnership with

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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