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A 3D render of footballer Pepe in a red Portugal kit. Stylised white text layered over his head reads “A font that tackles like Pepe”.
A 3D render of footballer Pepe in a red Portugal kit. Stylised white text layered over his head reads “A font that tackles like Pepe”.

Slide Tackle Font from Los Crises follows in the footsteps of red card kings

A font made on the Fifa pitch, this typeface turns one of the most high-risk, high-reward techniques in the game into something you can read.

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Date
4 August 2025

Like a lot of the best design projects, the idea for creative duo Los Crises’ Slide Tackle Font was completely incidental. One evening copywriter Cristian Burgos and art director Christian Hurtado (the Colombian creative duo behind its making) were chatting over a game of Fifa and spotted odd marks across their virtual field, the remanence of players paths on the pitch “and we thought: hey, those weird shapes could be something – what if we made a typeface out of them?”, says Cristian.

Following this lightbulb moment, the pair spent nights playing and pausing the game to capture interesting screenshots of slide tackle marks on the pitch. In some cases they chose match players they thought would have the most success at the designing these abstract, squiggly letterforms: “We went with football’s most notorious slide tacklers – Pepe, Ramos, Materazzi, Suárez and Bedoya, the red card king” says, Christian. “We wanted each letter to feel unique, so we had to get pretty inventive (and commit a lot of virtual fouls) to get the shapes right.”

A green poster featuring bold, textured black lettering that reads “Typography born on the pitch”. The letters have a rough, organic quality resembling turf or grass. Small text at the bottom reads “Slide Tackle font. Download at loscrises.com” and “Loscrises”.
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Los Crises (Cristian Burgos, Christhian Hurtado): Slide Tackle Font (Copyright © Los Crises, 2025)

The hardest part for the pair was turning these somewhat accidental marks into something that actually reads as an alphabet. “The process was messy in the best way,” shares Cristian. “We’d bring those images into Illustrator and challenge ourselves to shape each unique scuff into part of a letterset.” There was, inevitably, a lot of trial and error in this technique and a lot of the slide tackle shapes got benched in the final line-up, with swaps for more legible A’s or more dynamic C’s. “We wanted the final set to keep that sense of energy and randomness you get from real tackles – not something too polished,” says Christian.

Since the development of a full letterset with all the final tweaks, and a fully fledged campaign for the typeface inside the game – with wiggly words printed across team kits and merch – the pair have released the project as a completely open source font, with football fans and designers alike from around the world snapping it up for their projects. “It never gets old seeing something you made pop up somewhere unexpected”, the Cristian shares, “each share feels like a tiny win.”

The Colombia and Mexico-based design duo have been in advertising for over a decade, “always learning, always curious, and still a bit amazed every time someone recognises our work”, Cristian says. For them, it’s important that personal projects that happen on the side like these remain free and accessible to all “because, let’s face it, the best things in life usually are”, says Christian. “We just wanted people to download it instantly, no hoops. We believe that creative growth comes from sharing, not gatekeeping. Good things tend to find their way back to you when you put them out there with no strings attached,” he continues.

When speaking to what the pair will get up to next, Christian ends: “We’ll probably still be playing FC (and still getting red cards), and we’re always daydreaming about weird new side projects. We don’t have a big master plan, we just the hope that if we keep having fun, good things will keep coming.”

If you want to download Los Crises Slide Tackle font, you can do so via their website.

Los Crises (Cristian Burgos, Cristhian Hurtado): Slide Tackle Font (Copyright © Los Crises, 2025)

Los Crises (Cristian Burgos, Christhian Hurtado): Slide Tackle Font (Copyright © Los Crises, 2025)

Los Crises (Cristian Burgos, Christhian Hurtado): Slide Tackle Font (Copyright © Los Crises, 2025)

Los Crises (Cristian Burgos, Christhian Hurtado): Slide Tackle Font (Copyright © Los Crises, 2025)

GalleryLos Crises (Cristian Burgos, Christhian Hurtado): Slide Tackle Font (Copyright © Los Crises, 2025)

White paint is smeared across a lush green grass pitch to form the words “TACKLES YOU CAN READ”. Small text in the top corners reads “SLIDE TACKLE FONT. DOWNLOAD AT LOSCRISES.COM” and “LOSCRISES”.
A bold red poster featuring distorted, organic black lettering that reads “The only font that deserves a red card”. Small text at the bottom left reads “Slide Tackle Font. Download at loscrises.com” and the brand “Loscrises” appears in the bottom right.
A poster on a tan background features bold, textured black lettering that reads “It’s not a tackle, it’s a font”. The text is rendered in a rough, organic style resembling charcoal or ink. Small text at the bottom reads “Slide Tackle Font. Download at loscrises.com” alongside the brand name “Loscrises”.
A 3D render of a bald person wearing a black jacket and a black and white striped scarf. The scarf features a bold, abstract black graphic running down its length.
A specimen for the “Slide Tackle Font” featuring a series of distorted, textured black letters on a pale grey background. The characters look like scuffed marks or skid streaks left on a sports pitch. Text at the bottom explains the font is inspired by marks left on the field from slide tackles.
A 3D render of a football player in a mud-stained beige kit, shouting with an intense expression. Above them, the words “READY TO TACKLE” are written in a white, textured font against a clear blue sky.

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Los Crises (Cristian Burgos, Christhian Hurtado): Slide Tackle Font (Copyright © Los Crises, 2025)

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About the Author

Ellis Tree

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Ellis Tree (she/her) is a staff writer at It’s Nice That. She joined as a junior writer in April 2024 after graduating from Kingston School of Art with a degree in Graphic Design. Across her research, writing and visual work she has a particular interest in printmaking, self-publishing and expanded approaches to photography. ert@itsnicethat.com

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