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A row of black pencils laid diagonally across a dark surface. Each pencil is printed with the white text “CM-(S)”, “Critical Mass Studio” and the website “cm-studio.co.uk”.

Lundgren + Lindqvist create cracking identity for Critical Mass Studio

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Date
23 September 2014

The mass Scandinavian cultural crush which saw us all become obsessed with the food, TV shows and chunky knitwear of our northern cousins seems to have abated somewhat but that won’t stop Lundgren + Lindqvist.

The Gothenburg-based studio just uploaded a host of great new work to their website, most eye-catchingly of all this identity for London design collective Critical Mass Studio. The designers decided to created a shortened CM–S marque to complement the rather long wordmarque and combined regular and pixelated glyphs to reflect the studio’s mix of architectural and digital expertise.

Because of the studio’s Chinese heritage, the phrase “Have a wonderful day” was translated into Mandarin Chinese and used across the identity, most noticeably in two specially-commissioned neon signs.

Across everything they produced for Critical Mass, from the jet-black branded collateral (look at those pencils!) to the quirky flower-focused press shots, Lundgren + Lindqvist have a command of graphic vernacular that makes them one of the most consistent studios around.

Two stacks of business cards sit on a plain grey surface. The left stack features a logo reading “CM–” and the text “Critical Mass Studio”.
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Lundgren + Lindqvist: Critical Mass Studio

A white notepad rests on a plain grey surface with a single white lily bud laid across the top page. The header reads “Critical Mass Studio” with contact details printed in a smaller font.
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Lundgren + Lindqvist: Critical Mass Studio

A white lily rests on a thick, white rectangular block. The block features the text “Critical Mass Studio” and contact details.
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Lundgren + Lindqvist: Critical Mass Studio

A rectangular white box features a purple illustration of lilies. The image transitions from a detailed drawing into a pixelated pattern, with the text “CM- {§}” printed across the centre.
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Lundgren + Lindqvist: Critical Mass Studio

A thick stack of white cards rests on a grey surface. The top card features a pale blue image of a leaf and the text “CM-(S)”.
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Lundgren + Lindqvist: Critical Mass Studio

A brand identity sheet for “Critical Mass Studio”. The layout features the studio wordmark above a bold, pixelated logo that reads “CM–(S)”. Technical grid lines, arrows and small geometric shapes surround the typography.
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Lundgren + Lindqvist: Critical Mass Studio

A layout of a corporate letterhead on a white grid background. The left page contains a formal letter with the “CM–” logo at the top and a block of text addressed to “Georgitte Barnes”.
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Lundgren + Lindqvist: Critical Mass Studio

A close-up of a thick, white textured paper roll. A small, purple pixelated logo is printed on the curved edge.
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Lundgren + Lindqvist: Critical Mass Studio

A white neon sign on a grey wall displays Chinese characters. The glowing tubes are held in place by black brackets and visible wiring.
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Lundgren + Lindqvist: Critical Mass Studio

A close-up of a matte black book or folder with a thin purple elastic band. Braille dots are embossed into the cover.
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Lundgren + Lindqvist: Critical Mass Studio

A row of identical black book spines stands side by side. Each spine features the same short phrase in white Chinese characters.
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Lundgren + Lindqvist: Critical Mass Studio

A person’s hand lifts the cover of a black folder to reveal a colourful page inside. The cover features three pixelated arrow shapes in a rainbow gradient.
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Lundgren + Lindqvist: Critical Mass Studio

A tablet lies flat on a dark surface, its screen glowing with a soft, iridescent gradient of pink, yellow and green. Behind it, a black folder stands upright, featuring three pixelated arrows pointing upwards.
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Lundgren + Lindqvist: Critical Mass Studio

A tablet displays a white screen with a blue and teal pixel art figure in the centre. Small navigation text at the top reads “Profile”, “Projects” and “Contact”.
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Lundgren + Lindqvist: Critical Mass Studio

A black printed page features a cluster of small white squares arranged in a fragmented, organic shape. Text at the top reads “Spatial Experiments and Audio/Visual Explorations – Blurring Dream and Reality through Elevated Thoughts” and “Critical Mass Studio”.
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Lundgren + Lindqvist: Critical Mass Studio

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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