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A book cover for an exhibition at the Kunsthistorisches Museum. It features a collage combining a classical portrait of a person in a ruffled collar with a colourful, abstract Picasso illustration. The title reads “Velázquez – Picasso”.

Even Manuel Radde's rejected design work is an absolute treat

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Date
17 April 2013

We like graphic design that’s in use just fine. If it’s good, get it out there. No problem. But there’s a certain frisson that comes with viewing work that you know has been rejected by the client. Whether they didn’t like the concept, the execution wasn’t good enough or they just didn’t have the budget to see the project through, it’s always interesting to see work that didn’t make the cut.

Which is why we’re showing off Manuel Radde’s rejected work for the Kunst Historiches Museum in Vienna, an identity that would never see the light of day otherwise. It’s not that it’s the only project of Manuel’s we like, the Austrian creative has more than his fair share of excellent work, it’s just that his concept is so neat, tidy and well executed – it borrows from the building’s own art history by using patterns in the flooring to construct the institute’s identity and grid systems – that we could hardly believe it hadn’t been put to use.

Still, perhaps another museum will see this and ask Manuel to design their identity instead. He’s more than capable.

A black and white geometric illustration of three panels on a blue grid background. The outer panels feature a square and a star within circular frames, while the central panel contains two vertical strips of repeating diamond patterns.
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Manuel Radde: Kunst Historiches Museum, Wien

Four black and white photographs of patterns and maps are paired with four circular logos below them. Each logo simplifies the visual elements of the photo above it, accompanied by museum names including “Kunst Historisches Museum” and “Schloss Ambras”.
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Manuel Radde: Kunst Historiches Museum, Wien

A stationery set for the “Kunst Historisches Museum”, featuring a letterhead and a business card. The minimalist design uses a black logo and clean typography on white paper against a grey background.
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Manuel Radde: Kunst Historiches Museum, Wien

An exhibition poster for the Kunst Historisches Museum featuring a classical painting of two figures and a child. Bold white text across the centre reads “HANS VON AACHEN”, with smaller text below stating “Hofkünstler in Europa” and the dates “19.10.2010 – 9.1.2011”.
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Manuel Radde: Kunst Historiches Museum, Wien

A poster for the Kunst Historisches Museum featuring a gilded sculpture of two figures reclining on a decorative base. Large serif text reads “PATRONANZ FÜR DIE KUNSTKAMMER”, with a smaller line below that reads “Unterstützen Sie die Kunstkammer”.
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Manuel Radde: Kunst Historiches Museum, Wien

A collage poster for an exhibition at the Kunst Historisches Museum. It features a portrait of a person in a period dress, fragmented by geometric shards of a Picasso painting. The bottom half of the poster is black with white text that reads “Velázquez — Picasso”. Smaller text below lists the dates “10.04.2011 — 12.08.2011”.
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Manuel Radde: Kunst Historiches Museum, Wien

A poster for the Kunst Historisches Museum featuring a teal diagonal split. The right side reads “KINDER-FERIENSPIEL” and “Workshop an 2 Tagen für Kinder von 6 bis 10 Jahren”. The left side shows a black and white engraving of a person lying upside down, wearing glasses and a patterned waistcoat.
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Manuel Radde: Kunst Historiches Museum, Wien

Two posters for the Kunsthistorisches Museum. The larger poster features a jewelled crown and a white sculpture, with the text “Die Kaiserlich-Habsburgischen Sammlungen in Wien”. The smaller poster shows a classical painting of three figures and reads “Hans von Aachen”.
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Manuel Radde: Kunst Historiches Museum, Wien

A book cover featuring a portrait of a person in a ruffled collar, partially obscured by a colourful abstract shape. Large white text reads “Velázquez – Picasso”, with the second name printed upside down.
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Manuel Radde: Kunst Historiches Museum, Wien

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About the Author

Holly Wilkins

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