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A person wearing a denim jacket and jeans stands behind a large, bold blue lowercase “a”. They are positioned so only their head and parts of their body are visible through the letter.

Marfala is making brands that look like themselves

With visual world building as their trade, this creative firm is hard at work crafting “confident brands that are saying something no one else can say.”

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Date
10 September 2024

Based in New York and Bogota, sisters Maria and Rafaela Echeverri are joined under their collaborative practice, Marfala. Founded in 2020, the creative studio came together over the pair’s common interest in the corner of the creative world where “design, conviction and culture meet”. Four years down the line, with some incredible brand identities under their belt, the pair have proved that visual world building is their trade and “immersive, obsessive thinking is how we work,” says Rafaela. “We like creatives, unusual thinkers and authentic collaborations.”

Finding thoughtful strategies through an approach underpinned by rather “methodical” research, the creative duo aim to simply “make people look like themselves. Never copy or crib,” says Maria. “We find that essence, articulate it, and build confident brands that are saying something no one else can say [...] What we love most are designs unique to our clients, their personalities and visions. Each destination has to be “one-of-a-kind”.

Working in a sibling duo is a balancing act — a ying and yang kind of thing, the designers tell us. Whilst Rafaela is a minimalist, Maria is a ‘more is more’ kind of person. So their styles and influences are always in conversation — allowing them to look at projects from quite a few different angles. Although, since studying in Milan together while growing up, Maria and Rafaela have both always had a bit of a thing for Italian design, admiring “how Italian designers honour the old with a taste for the new, in everything from architecture, clothing, furniture, to lighting”, explains Rafaela.

Over time, the pair’s field of inspiration for their design work has slowly moved toward objects: “shape, colour, texture, function, provenance; there is always something to spark an idea. To that end, we look through a lot of archives and museum collections. Vintage auction catalogues are a gold mine for us,” Maria tells us, with archival treats and treasures often populating their mood boards (we loved their spring inspiration board on bread, earlier this year). More recently, alongside their thoughtful graphic work, the pair have started to study lighting and set design, “and that has been a really fruitful new source of inspiration”, says Rafaela.

Three identical posters are pasted side by side on a white wall. Each shows a person in a denim shirt and trousers with the red text “New World Denim” laid over them.
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Marfala: Americanino (Copyright © Marfala, 2024)

An animation in which bold white characters appear against a red background, cycling through the alphabet and numbers. The text “Repeater Bold” is visible in the bottom right corner.
Above

Marfala: Americanino (Copyright © Marfala, 2024)

An animation of three vertical panels against a green background, featuring people in denim clothing. The panels include the text “Calling All Reusers”, “americanino” and “New World Denim”, while the central image shifts and rotates.
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Marfala: Americanino (Copyright © Marfala, 2024)

A person wearing an oversized black blazer poses against a deep red background for a magazine cover. The masthead at the top reads “FAMILY STYLE” in a white serif typeface.
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Left

Marfala: Family Style (Copyright © Marfala, 2024)

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Marfala: Family Style (Copyright © Marfala, 2024)

Two people sit on a striped sofa, looking at an open magazine. The cover page reads “FAMILY STYLE” and features a person in a black outfit against a red background.
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Marfala: Family Style (Copyright © Marfala, 2024)

A yellow poster featuring a photograph of a person’s torso wrapped in blue rope. Bold black text reads “Clarity Haynes shifts her focus from intimate physicality to an existential extreme.”
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Marfala: Family Style (Copyright © Marfala, 2024)

A 3D render of a magazine titled “Family Style”. The cover features a person in a white ribbed top reclining beside a large black block and a blue sculptural form.
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Marfala: Family Style (Copyright © Marfala, 2024)

An animation in which a magazine is flipped through, showing a mix of editorial spreads. Pages feature food recipes, fashion photography, and art exhibitions, including titles such as “Dinner Bell” and “Objects that Move You”.
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Marfala: Family Style (Copyright © Marfala, 2024)

Two white rectangular boxes against a black background. One box contains a pair of wooden chopsticks and reads “Rick Owens” alongside a phone number; the other reads “FAMILY STYLE” in a bold serif font.
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Marfala: Family Style (Copyright © Marfala, 2024)

A blue typographic poster on a red background is displayed in a dark metal frame. It reads “THE WRITERS’ ROOM” followed by a description of a collective made up of “industry experts, seasoned screenwriters, and young talent.”
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Marfala: The Writer’s Room (Copyright © Marfala, 2023)

An animation in which the background changes between a pink plastic box, a person leaning over a photocopier, and a grey office interior. Bold text laid over the scenes reads “We create content and write commercial scripts, treatments and pitches.”
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Marfala: The Writer’s Room (Copyright © Marfala, 2023)

Stacks of colourful business cards in red, green, pink and blue. The red and green cards feature the text “THE WRITERS’ ROOM” in a bold, white typeface.
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Marfala: The Writer’s Room (Copyright © Marfala, 2023)

An animation in which bold text appears line by line against a background that alternates between blue and cream. The text reads, “A slick spot. A sharp script. A clever treatment. A perfect pitch. This is the future of creative gig work.”
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Marfala: The Writer’s Room (Copyright © Marfala, 2023)

A white T-shirt hangs against a metal wire grid. Green text on the front reads “THE WRITERS’ ROOM” and “This is the future of creative gig work.”
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Marfala: The Writer’s Room (Copyright © Marfala, 2023)

Hero Header

Marfala: Americanino (Copyright © Marfala, 2024)

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About the Author

Ellis Tree

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Ellis Tree (she/her) is a staff writer at It’s Nice That. She joined as a junior writer in April 2024 after graduating from Kingston School of Art with a degree in Graphic Design. Across her research, writing and visual work she has a particular interest in printmaking, self-publishing and expanded approaches to photography. [email protected]

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