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An illustration of a large, blocky letter “K” rendered as a textured stone sculpture. Black cords wrap tightly around the form, binding together sections of white, yellow and blue.
An illustration of a large, blocky letter “K” rendered as a textured stone sculpture. Black cords wrap tightly around the form, binding together sections of white, yellow and blue.

Colourful masses with a Memphis aesthetic in Mariano Pascual’s illustrated alphabet

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Date
23 November 2015

As humans we have an innate urge to reinvent, this seems especially true for illustrators who continually reinterpret the world in their own way. Mariano Pascual’s response to the open brief 36 Days of Type perfectly encapsulates this notion as he visualises his own typeface. Set up by Nina Sans and Rafa Goicoechea the ongoing project asks creatives to design or illustrate one letter a day and post it on their Instagram feed. 

Mariano’s work caught our eye through his abstract application of the classic Memphis style. We’ve seen the Memphis aesthetic used before in letterforms, but the Barcelona-based illustrator mixes it up by taking a less geometric approach and uses abstract masses and other ambiguous objects instead. Full of peach and turquoise shades, each letter is made up of speckled textures and smooth surfaces. This alphabet is a peek into Mariano’s other illustration work, where slabs of colour and simply outlined shapes are seemingly connected together to make a whole image. 

An illustration of a vertical white pillar with a textured grey top and a yellow, organic shape clinging to its base. A large, red textured circle sits behind the pillar against a dark purple background.
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Mariano Pascual: 36 Days of Type

An illustration of two rectangular sponges crossed to form an X. A silver pin pierces through the centre of a teal sponge, which sits atop a pink one.
An illustration of a yellow ribbon folded to form the number “6”. The ribbon is set against a red grid background and features white, stippled textures on its inner folds.
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Mariano Pascual: 36 Days of Type

An illustration of a capital letter “B” composed of layered, colourful slices. The sections resemble pieces of cake or foam in shades of mint green, black, pink and yellow.
An illustration of two vertical, pill-shaped forms in pink and white, connected by a blue horizontal bar. Black, textured organic shapes cling to the surfaces of the forms against a teal background.
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Mariano Pascual: 36 Days of Type

An illustration of a 3D letter “W” composed of four thick, leaning slabs in white, green, pink and navy. Two small rods in red and yellow pierce through the slabs to hold them together.
An illustration of a stacked, sculptural form against a dark grey background. The structure consists of layered, textured blocks in blue, pink, yellow and mint green.
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Mariano Pascual: 36 Days of Type

An illustration of a white concrete pillar against a dark blue background. A red beam passes through the top, which is supported by a teal metal frame.
An illustration of a glass sphere resting on a red and yellow tripod against a mint green background. Inside the sphere, a red liquid shape rises from a speckled white bowl.
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Mariano Pascual: 36 Days of Type

An illustration of a fragmented, circular 3D form on a grey background. The structure is composed of blue, pink and cream textured segments, with pink liquid dripping from the edges.

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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