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A painting of two people and a lion sitting around a table. The figures and the lion are rendered in shades of blue, with a sliced pomegranate providing a sharp contrast of red.

Massoud Hayoun’s political paintings are seeped in symbolism and shades of blue

The painter’s surreal portraits merge past and present figures – the familiar and fantasy – to connect stories of “exile, love and resistance”.

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Date
26 March 2025

Massoud Hayoun is a journalist as well as a painter; many of the stories and people he covers in his writing day to day make an impression on his large multilayered acrylic paintings. His canvases often explore current events and politics as well as gender and queerness, contemplating “how these things relate my life and that of my Tunisian and Egyptian grandparents, who raised me here in Los Angeles”, Massoud shares. Sites where a melange of subject matters merge, Massoud’s scenes feel slow and self reflective, a way to investigate the nuances of his identity while simultaneously engaging with broader political ideas.

The artist’s works are seeped in symbolism. His figures, all dowsed in the same shade of blue, are immortalised portraits from past and present: “Persecuted figures from history find their contemporary allies among feminist poets, daydreaming waitresses and my own alter ego, who shape-shifts across multiple works, reconfiguring dominant narratives around what it is to be a Queer Arab man of Jewish faith,” Massoud says. Family also features heavily across the artists painted faces, the legacy of his Egyptian, Tunisian heritage, and “the stories shared by his elders that speak of exile and loss but also love and resistance” are drawn out across his canvases alongside “kindred spirits facing upheaval and displacement”.

To seek inspiration, the painter looks to the work of emerging British artist Cassie Vaughan, a friend and fellow painter “who has taught me to appreciate abstraction as a purer expression of our experience”, Massoud says. In front of the canvas, the artist also channels the intricacies of Egyptian painter Seif Wanly’s work and the rich symbolism of Spanish-Mexican painter Jesús Martí Martín.” As for the subversive nature of his paintings, he attributes this specific aspect to the influence of the artist Ai Weiwei.

Following a debut exhibit at Larkin Durey in London last year, Massoud’s work is due to be displayed at the gallery with a new exhibition opening from 5 June 2025.

A painting of two blue-skinned figures sitting at a table laden with cakes, fruit and sweets. Behind them, a window looks out over a city skyline and a sunset over the sea.
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Massoud Hayoun: Alexandria, Momentarily (Copyright © Massoud Hayoun, 2024)

A painting of two figures in light blue clothing, each holding a slice of watermelon. A long black and white snake winds across a blue floor and over a table topped with cakes.
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Massoud Hayoun: Arab American Taxpayer (Copyright © Massoud Hayoun, 2024)

A painting of a person wearing a fez and a white shirt, sitting on the edge of a yellow bed. They hold a cigarette, while blue deer and a lion's face emerge from the surrounding shadows.
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Massoud Hayoun: Bedfellows (Copyright © Massoud Hayoun, 2024)

A painting of two blue-toned figures in an embrace. One person sits while the other leans over their shoulder, with thin red lines winding around both bodies.
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Massoud Hayoun: Uncynical Tunisian love painting (Copyright © Massoud Hayoun, 2024)

A painting in shades of blue and pink depicting a surreal scene. A person rides a white horse beside a burning pavilion, while three figures sit on a bench in the foreground.
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Massoud Hayoun: Don’t trifle with the cat women of Alexandria in the summertime • Feu follet (Copyright © Massoud Hayoun, 2024)

A painting of a blue-toned person in a suit, holding a blue bucket to their head. They sit in a green room beside a table with a vase of pink roses and a small clock.
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Massoud Hayoun: Stateless • Por no llevar papel (Copyright © Massoud Hayoun, 2024)

A painting of two blue figures in suits and fezzes sitting at a pink table. A large blue snake winds across the table, where a slice of watermelon rests. To the right, a blue goat and a blue pig dance together on a yellow floor.
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Massoud Hayoun: Sick of foul, I’ll take the goat (Copyright © Massoud Hayoun, 2024)

A painting of several blue-toned figures in a room with teal walls. One person stands with a hand to their head, while others sit around a table holding hands and mugs.
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Massoud Hayoun: Anatomy of a raid (Copyright © Massoud Hayoun, 2025)

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Massoud Hayoun: Can you imagine some people in this country don’t eat on purpose? (Copyright © Massoud Hayoun, 2024)

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About the Author

Ellis Tree

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Ellis Tree (she/her) is a staff writer at It’s Nice That. She joined as a junior writer in April 2024 after graduating from Kingston School of Art with a degree in Graphic Design. Across her research, writing and visual work she has a particular interest in printmaking, self-publishing and expanded approaches to photography. ert@itsnicethat.com

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