If you live in a city, the chances are you’ve already encountered the digital composite images used to advertise the new “urban builds” popping up left, right and centre like ant hills in an otherwise lovely summer’s garden. Have you ever taken a second to recognise how hilarious a spectrum of “urban residents” they include though? A lovely smattering of white middle class men aged between 20 and 40, perpetually swinging briefcases, with the odd sweet-looking woman pushing a buggy for good measure.
This is the distinctly modern cultural phenomenon that Max Colson examines in his collection Images of Enjoyment and Spectacle, which is included in his new exhibition Virtual Control at the Royal Institute of British Architects in London. Reinterpreting the images “originally used to market privatised public spaces and luxury housing,” Max takes the odd collection of subjects and their shadows and crops them into a dreamy pastel landscape, reimagining this surreal situation in a fantasy landscape.
- Yuri Suzuki on how the key design tool is always communication
- Anna Sullivan creates a look back at the fascinating tradition of stilt walking shepherds
- Don’t Hug Me I’m Scared to debut at Sundance Film Festival
- Director Angela Stephenson documents Manila's defiance for creative freedom in the narco-state
- Friday Mixtape: Anthony Naples takes us from the party to the after party
- Yung Hua Chen’s photography is effortlessly glamorous
- Alex Gamsu Jenkins’ comics remind us of how gross we really are
- Pop culture powerhouse Bryan Rivera's 2018 in graphic design
- Don't worry, be angry: how politics and creativity collided in 2018
- Vice magazine's creative team talks us through its new and unexpectedly different redesign
- DIA channels NYC and gives Squarespace its signature kinetic treatment in brand refresh
- London Art Fair gets an abstract and textural rebrand for 2019