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A distorted, close-up portrait of David Bowie with fragmented facial features. He wears bold makeup and gold lipstick, with a gold circular ornament on his forehead.

Mick Rock's unseen images of David Bowie in his transformative Ziggy Stardust days

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Date
13 August 2015

Around 43 years ago, a man with whole load of make-up, a whopping fount of charisma and a song about some eight-legged creatures in space changed music and pop stardom forever. That man of course was David Bowie, and that year (1972, math-heads) was when Bowie introduced his Ziggy Stardust persona to the world. The Rise and Fall of Ziggy Stardust dragged us into a surreal, beautiful, glitter-bedecked alternative reality where girls could be boys, boys could be girls and everything was peculiar and beautiful. The man who was there to see all this glorious culture-shifting was photographer Mick Rock.

Mick became firm friends with Bowie, and in 1972-3 became the singer’s official photographer. A new book from Taschen presents Mick’s stage shots and backstage snaps from those two spectacular years, and are showcased in suitably spectacular style. The book, limited to 1,972 copies, features more than 50 previously unseen images housed in a lenticular hologram cover. A deliciously glam, bam thank you wham tribute to an inimitable man.

David Bowie with bright red hair looks off-camera while holding a drink in a glass. He is pictured in an open book, with his reflection visible in a window to the left.
Above

Mick Rock, Barney Hoskyns, Michael Bracewell: The Rise of David Bowie. 1972-1973

David Bowie sings into a microphone, wearing bold red makeup and a red mullet. His arm is raised, adorned with large, shimmering beaded bracelets.
Above

Mick Rock, Barney Hoskyns, Michael Bracewell: The Rise of David Bowie. 1972-1973

An open book titled “The Rise of David Bowie 1972–1973” by Mick Rock. The left page shows David Bowie performing on stage, while the right page features the title in white typography against a black and blue background.
Above

Mick Rock, Barney Hoskyns, Michael Bracewell: The Rise of David Bowie. 1972-1973

An open turquoise box reveals a bright pink interior on the left. On the right, a portrait of David Bowie is visible, featuring a distorted, multi-layered effect and a gold circle on the forehead.
Above

Mick Rock, Barney Hoskyns, Michael Bracewell: The Rise of David Bowie. 1972-1973

A hardcover book with a teal cover and pink edges. The front and spine read “The Rise of David Bowie”, featuring a close-up portrait of the musician.
Above

Mick Rock, Barney Hoskyns, Michael Bracewell: The Rise of David Bowie. 1972-1973

A book cover with a turquoise border features a distorted, surreal portrait of a person with voluminous hair. The face is fragmented and layered, showing multiple eyes and mouths, with a gold circular object resting on the forehead. The word “Taschen” is printed in small capitals at the bottom.
Above
Left

Mick Rock, Barney Hoskyns, Michael Bracewell: The Rise of David Bowie. 1972-1973
Lenticular cover

Right

Mick Rock, Barney Hoskyns, Michael Bracewell: The Rise of David Bowie. 1972-1973

Art Edition No. 101-200
Scotland, May 1973
Pigment Print on Platine Archival Fibre Rag Paper
signed by photographer Mick Rock

A black and white photograph of David Bowie standing in a sparsely furnished room. He looks towards the camera while holding a cigarette, positioned beneath two hanging pendant lights.
Above

Mick Rock, Barney Hoskyns, Michael Bracewell: The Rise of David Bowie. 1972-1973

Art Edition No. 101-200
Scotland, May 1973
Pigment Print on Platine Archival Fibre Rag Paper
signed by photographer Mick Rock

An open book shows two black and white photographs of David Bowie. He wears a striped T-shirt and a circular makeup design on his forehead.
Above

Mick Rock, Barney Hoskyns, Michael Bracewell: The Rise of David Bowie. 1972-1973

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About the Author

Emily Gosling

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Emily joined It’s Nice That as Online Editor in the summer of 2014 after four years at Design Week. She is particularly interested in graphic design, branding and music. After working It's Nice That as both Online Editor and Deputy Editor, Emily left the company in 2016.

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