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A 3D render of a surreal, abstract figure composed of smooth, rounded grey shapes. The form floats against a plain grey background, with soft lighting creating deep shadows across its curved surfaces.

Artist Mike Lee creates a CGI sheen with his oil-painted, abstract figures

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Date
9 May 2017

New York-based artist Mike Lee’s work sees him “remove detail and simplify figures and objects down to their most basic shapes”. The result is a series of smoothly-textured, painted silhouettes that feel as though they’re swimming through the air. “My ideas stem from observing my closest friends, family, strangers and reflecting back on various moments throughout my life,” explains Mike. His abstract interpretations of these moments is ambiguous but intriguing and this feeling is emphasised by the CGI-like finish Mike achieves.

“I started off using the most basic tools: paper and pencil. However ultimately it just wasn’t practical for the amount of ideas I wanted to explore,” says the artist. “I couldn’t finish a drawing in a reasonable amount of time, so I’ve now shifted exclusively over to oil paints. My production has increased ten fold and I’m also able to utilise the full range of values instead of being constrained by the limitations of graphite.”

There’s a sombre tone to Mike’s work but the weightlessness of his characters feels hopeful and lightens the monochrome atmosphere. “I’ve realised the most important thing to me is the emotional connection people have with my work. I do my best to achieve this through the use of lighting and abstracting figures,” he explains.

A charcoal drawing of a rounded, abstract figure on a plain white background. The form is composed of smooth, curving shapes with soft shading that creates a 3D effect.
Above

Mike Lee

A black and white painting of abstract, rounded forms that suggest two figures in an embrace. The smooth, tubular shapes create a sense of depth and volume against a plain grey background.
Above

Mike Lee

A painting of a simplified, rounded figure in black and white. The figure has a spherical head and wears a dark, sleeveless garment against a pale, textured background.
Above

Mike Lee

A black and white painting of two abstract, fluid figures entwined against a grey background. The forms are smooth and rounded, blending into one another with soft gradients of light and shadow.
Above

Mike Lee

A grayscale painting of a smooth, abstract organic form floating against a plain background. The shape is curved and fluid, with a small, winding protrusion extending from the top.
Above

Mike Lee

A black and white painting of a soft, blurred figure curled into a fetal position. The form emerges from a deep black background, defined by smooth gradients of light and shadow.
Above

Mike Lee

A painting of a blurred, dark figure with a rounded head and shoulders. The figure is set against a plain, muted grey background.
Above

Mike Lee

A black and white painting of a smooth, abstract figure. The form is rounded and featureless, with a curved shape draped over its head and shoulder.
Above

Mike Lee

A black and white painting of abstract, biomorphic shapes that resemble a fragmented human figure. The smooth, rounded forms are shaded to create a 3D effect against a dark grey background.
Above

Mike Lee

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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