The New Yorker is rightly famous for its witty, clever and often quite powerful front covers, but a book out next week gives a glimpse into those illustrations that didn’t make the cut. Building on the success of the blog of the same name and compiled by the magazine’s art director Francoise Mouly Blown Covers is a great insight into the creative process at one of the world’s most influential publications.
Whether rejected for being too crude (Monica Lewinsky sucking a presidential lollipop or justice shown trussed up S&M style ), too random (the Pope as Marilyn Mornoe), too controversial (the shadow of a black and white man passing each other shown as a stick-up/two American soldiers kissing in Afghanistan) they nevertheless form an alternative record of Amercian preoccupations over the years.
- The art of plane watching captured by Mindaugas Kavaliauskas
- Friday Mixtape: escape from the world with Xenoula's ethereal mix
- Towers of Thanks: Res photographs his mother's life working for Donald Trump
- A world of pain: Sixteen Journal's latest issue
- R Kikuo Johnson on the importance of narrative in his illustrations
- Miguel Pang’s hand-drawn approach adds texture and depth to his illustrations
- Parker Day's lurid colours and grotesque characters elevate identity and fantasy (NSFW)
- Paper reveals Break the Internet take two, with Nicki Minaj shot by Ellen von Unwerth
- Bea de Giacomo photographs the wonders of pregnancy
- Matthieu Lavanchy recreates food emojis "irl" for The Gourmand's tenth issue
- Introducing Broccoli, the publication “normalising cannabis use, especially for women”
- One Step Ahead: we meet Paula Scher, the trailblazing Pentagram Partner