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A person in light-coloured lingerie and high-heeled sandals reclines across a surreal, distorted landscape. The background is a digital collage of fragmented figures and shapes in shades of pink, lilac and pale blue.

Nick Knight's SHOWstudio creates 3D vignettes for pin-up shoot

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Date
9 February 2015

Nick Knight’s SHOWstudio has pioneered what might be called the “photoshoot-plus” approach, combining his exceptionally-executed stills work with innovative and engaging extras that push the creative potential of his work into thrilling territory. He recently collaborated with Sophia Neophitou, editor-in-chief of 10 magazine and one of the brains behind the now legendary Victoria’s Secret Fashion Show, on a series called Pin-ups which “riffs on the traditional codes and motifs of erotic imagery, from fishnets to silk.”

So that’s the photoshoot, and the “plus” in this case comes in the form of a series of 3D animations which seem to take us inside the photographs. The tableaux were scanned using an Xbox Kinect before each was animated in such a way as to bring out different qualities in the final images. The resulting combination of the moving-image vignettes and the slick, sexy photographs (which will appear in the spring issue of 10) sums up neatly why Nick and his creative cohort are so well-regarded.

A person lies on their side, looking at the camera. They wear dark lingerie and their skin is dusted with gold glitter, set against a shimmering, distorted gold background.
Above

SHOWstudio/10 magazine: Pin-ups

A person in a shimmering, structured bodysuit poses amidst a series of mirrored reflections. They wear high-heeled sandals with bright orange straps against a dark, glossy background.
Above

SHOWstudio/10 magazine: Pin-ups

Madonna lies on her back, surrounded by white feathers and shimmering, distorted light. She wears white lace lingerie and red lipstick, with her eyes closed and arms crossed over her chest.
Above

SHOWstudio/10 magazine: Pin-ups

A digital collage of distorted figures against a black background. The figures are fragmented and warped, with metallic, shimmering textures layered over their forms.
Above

SHOWstudio/10 magazine: Pin-ups

A person in black lace lingerie and thigh-high leather boots reclines across a white background. They are entwined in a complex web of black netting and sharp, geometric lines.
Above

SHOWstudio/10 magazine: Pin-ups

A person in white and silver lingerie reclines across a series of jagged, geometric foam blocks. The blocks are painted in shades of peach, grey and cream.
Above

SHOWstudio/10 magazine: Pin-ups

A person in a sheer, beaded bodysuit stands with arms raised against a swirling, ethereal backdrop of pink and orange clouds. They wear high-heeled sandals and look directly at the camera.
Above

SHOWstudio/10 magazine: Pin-ups

A person in light blue lingerie and heels reclines across a distorted, surreal landscape. The scene is a digital collage of warped figures and shapes in shades of pink and pale blue.
Above

SHOWstudio/10 magazine: Pin-ups

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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