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A yellow book cover featuring a black line illustration of a pharaoh’s head. The title reads “Business Secrets of the Pharoahs” and the author is listed as “by Mark Crorigan”.

Oliver Jackson’s new zine is a genius ode to British sitcom, Peep Show

Filled with quotes and screen-grabs from one of Britain’s most-loved shows, The Business Secrets Of The Pharaohs has some entertaining references for those in the know.

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Date
18 December 2020

If you’re familiar with Peep Show – the British television sitcom starring David Mitchell and Robert Webb – then you’ll remember how David’s character, Mark, attempted to launch his own book career. Spending his all savings on the publishing of The Business Secrets Of The Pharaohs, only to have it published by con-artist “British London”. After a failed launch and some shoddy printing, it didn’t end up in any book stores whatsoever.

Eight years on from this fictional failure, Oliver Jackson – a designer, creative and zine enthusiast currently based in Rochdale, Lancashire – has created a zine dedicated to the show with this very book on its cover. “I thought it would be great to finally give the book and its title its deserved release in 2020,” he tells us.

During the course of lockdown, Oliver found himself “repeat-binge watching” Peep Show on Netflix a “worryingly high amount” – a habit our team can relate to greatly. He began to also notice a growing fan base, with an even wider audience only now discovering the show. “During this time, I thought to myself why there hadn’t been a definitive fan-zine for the show,” he says, “but also one produced to a high-standard in regards to production value and design.” As such, he proceeded to fill this creative void with a project aptly answering Jez’s call out in an episode when he becomes a life coach: “If you sometimes want to do something, you should do it.”

Doing just that, Oliver was able to creatively tap into one of his all-time favourite shows, one he adores for its blunt, mundane and relatable everyday scenarios. “It has to be one of the most quotable programmes out there for me,” he says, citing Phoenix Nights and Alan Partridge as close contenders. The designer also notes how Peep Show is one of those shows that continues to age well – the more you watch it the more you notice the small, humorous and intentional details you may have missed the first time around. This includes certain details and “ridiculous” quotes, which Oliver particularly enjoys. “Personally, I love the obscurity in some of the more unusual references that are made,” he says, “like ‘There’s a Harvey Nichols in Leeds that everyone goes on about, as if it’s the answer to something’ or ‘Those kids have no idea whatsoever of what went on at Stalingrad’, to name a few of the very many, which I feel are very individualistic of the series.”

An open book shows two grainy photographs with captions. The first shows two people talking, with the text “CAN OF COKE AND A CIGGIE, HE’LL BE RIGHT AS RAIN.” below. The second is a blue-tinted image of a “Jub Credit” sign in front of a building, captioned “OK, I’M GOING TO ABERDEEN. I’M GOING, JEFF.”
Above

Oliver Jackson: The Business Secrets Of The Pharaohs (Copyright © Oliver Jackson, 2020)

The zine came about after taking a break from his main project, 01706. The name of which references the phone number dial code of the Rochdale area. This is where Oliver houses all of his other collaborative and solo releases, such as merchandise and three zine titles including Clubland, which documents the everyday life and youth culture in Rochdale. While on a slight hiatus, Oliver thought that a passion project with freedom and a lack of pressure would be the perfect antidote.

Pressing on with the idea, Oliver began collecting quotes and moments from Peep Show, revisiting clips on YouTube where various compilations have been stored. As the project began to take shape, Oliver opted to print the zine with Bermondsey-based PageMasters which, as it turns out, is conveniently close to Mark’s flat in Croydon. Finalised in two colour Riso inside and printed with a raised thermographic finish on the cover, the result is a 30-page zine filled with quotes and screen-grabs, all of which are intricately detailed, immensely curated and entertainingly formed into an ode to of the greatest shows of all time (controversy expected). “The main theme was that Mark led the book as it was his title, and there was an intention to mix well-known moments along with some incredibly obscure ones, such as the Harvey Nichols in Leeds one,” says Oliver, remarking to the fact that if he were to change just one thing, then he’d probably add in more Johnson and take out Jeff. “Who even likes Jeff?”

The response to Business Secrets of the Pharaohs has been unsurprisingly positive. So much so that it’s now onto its second print run of 250 copies, which is already nearing selling out at one of Oliver’s favourite stores Village Leeds. This means that, if you’re an avid Peep Show fan like Oliver, then you better get moving.

GalleryOliver Jackson: The Business Secrets Of The Pharaohs (Copyright © Oliver Jackson, 2020)

An open book shows two black and white photographs. The left image shows two people in a room with the caption “I WAS HERE IN THE GLORY YEARS - MID '90S. BRITPOP WAS KICKING OFF.” The right image shows a group of people, including a person in a suit, with the caption “CORRIGAN, 200 LATTES.”
A high-contrast, teal-coloured portrait of a person in profile. The image has a heavy, grainy texture resembling a Risograph print or fabric.
A grainy, blue-toned image of a person in a suit seen from behind. They stand next to a car, facing a textured wall with barred windows.
An open book shows two black and white photographs with text below them. The first shows a person in medieval armour and a tunic, with the caption “WHAT THE FUCK AM I DOING? I’M IN A WOOD IN KENT WITH A PLASTIC SWORD.” The second shows two people at a table, with the caption “WHAT YOU’RE DOING THERE IS YOU’RE DRINKING AN ADVERT.”
An open book shows two blue-tinted photographs with captions. The first shows a person standing next to a packet of “Crunchy Nut” cereal, with the text “Nice packet of Crunchy Nut you’ve got here. Pretty expensive, as I recall.” The second shows a person in a shirt and tie sitting at a desk, with the text “There’s going to be no more sectioning today.”
A blue-toned, textured portrait of a person with a beard and moustache. They look slightly to the side against a blurred, light-coloured background.
A grainy, blue-toned photograph of a person wearing a dark suit and tie. They look towards the camera with a slight smile, resting their chin on a hand.
An open book shows two grainy, blue-tinted photographs. The left image shows Louis Theroux in profile, with text below reading “I’m not really here, it’s research. I’m Louis Theroux. I’m Louis Theroux.” The right image shows a person looking towards the camera, with text below reading “But there’s a Harvey Nichols in Leeds everyone goes on about as if that’s the answer to something.”
A yellow book cover features a black illustration of a pharaoh’s mask and the title “Business Secrets of the Pharoahs”. Below the image, it reads “by Mark Crorigan”. Beside the book is a cyan-tinted photograph of cars parked in a lot.
A high-contrast, blue-toned image of a poker game. Poker chips and playing cards are scattered across a white table alongside several cans and bottles of drinks.
A person with dark, shaggy hair looks toward the camera with a slight open-mouthed expression. They wear a light-coloured, striped long-sleeved top against a plain, draped backdrop.
A high-contrast, grainy portrait of a person is printed on yellow card. Text above the image reads “In loving memory of Gerard”, and a quote below reads “I just wanted to say hi but, er, I guess I’ll just say bye”.

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About the Author

Ayla Angelos

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Ayla is a London-based freelance writer, editor and consultant specialising in art, photography, design and culture. After joining It’s Nice That in 2017 as editorial assistant, she was interim online editor in 2022/2023 and continues to work with us on a freelance basis. She has written for i-D, Dazed, AnOther, WePresent, Port, Elephant and more, and she is also the managing editor of design magazine Anima. 

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