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A gallery wall displays rows of colourful prints with bold, surreal headlines such as “Apple has fake rape” and “Yoko Ono faces baby”. In the foreground, a low white plinth holds a large arrangement of carved wooden letter blocks.

LDF 2012: Out of Print explores information overload with lovely results

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Date
27 September 2012

Issues around digital and print media, information overload and our changing habits of consumption tend to be mired in fairly dry academic debates, so it’s nice to see a project exploring them in a more creative way.

Out of Print was a collaboration between James Cuddy, Roma Levin, Danilo Di Cuia and Goldsmiths BA Design students during last week’s London Design Festival. Using an application which conflated and confused trending news stories, they created hybrid-headlines which were then printed on a custom-made letterpress.

They said: "With the growth of digital media we are faced with unprecedented levels of data. We now find ourselves at a saturation point. By attempting to consume ever more, we end up understanding less. In this context, we find news and media redefined to fit our shortened
attention spans. How do we make sense of all the information we consume and not get lost in the process?

“Both the print process and the software can produce unexpected results. The distortions and juxtapositions in language create headlines that are profound and confusing in equal measure; not unlike our evolving relationship with digital media.”

The resulting prints are really nice-looking objects as well as being an interesting contribution to the on-going attempts to make sense of this information evolution.

A tablet screen displays a digital interface for a project titled “Out of Print”. The screen shows a bold, blocky headline that reads “14 FEET SET TOPLESS WOMEN”.
Above

Out of Print installation shots (the headline generator)

A person in a white apron stands by a digital screen in a gallery. Behind them, a wall is covered in a grid of printed posters with headlines such as “Out of Print” and “Who was trying the go-ahead”. In the foreground, another person wearing gloves works at a traditional printing press. A black desk lamp illuminates the wooden tray of type.
Above

Out of Print installation shots

A person uses a roller to apply ink to wooden letterpress blocks. The blocks are arranged in a frame to spell “FACEBOOK” and “PRESSED” in reverse.
Above

Out of Print installation shots

A person holds up a printed poster that reads “OUT OF PRINT” and “FACEBOOK ARRESTED ACTIVISTS”. They stand behind a printing press in a studio with various other posters hanging on the wall.
Above

Out of Print installation shots

A person wearing white gloves hangs a series of minimalist posters on a white wall. The posters feature bold, black text on pastel backgrounds, including headlines such as “Kanye hopes to convert assholes” and “Prada do like crisps”.
Above

Out of Print installation shots

A person lifts a printed sheet of paper from a traditional letterpress. The bold black text reads “FAR-RIGHT GERMAN COULD FACE STRIKE”.
Above

Out of Print installation shots

A person stands in a gallery, looking at a series of text-based posters pinned to a wall. One poster reads “KATE HAS A NUCLEAR WAR”, while another reads “DEATH IS FISHING”.
Above

Out of Print installation shots

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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