Launch Recite Me assistive technology
A black and white portrait of a person with voluminous, wild hair that partially obscures their face. They look upwards and away from the camera, wearing a dark garment with a sheer, textured fabric draped across one shoulder.
A black and white portrait of a person with voluminous, wild hair that partially obscures their face. They look upwards and away from the camera, wearing a dark garment with a sheer, textured fabric draped across one shoulder.

Paulina Otylie Surys' darkly beautiful work

—
Date
15 December 2016

Polish-born, London-based photographer Paulina Otylie Surys’ work is tricky to categorise. It’s somewhere between fine art and fashion, but equally, Paulina’s experimental vision seems to touch upon a new territory altogether.

Paulina’s foundations are undeniably skewed in the direction of fine art — after studying classical painting at the Academy of Fine Arts, she transitioned into photography. The impact of her background on her work is profound: Paulina cannot be considered purely a photographer but at once a photographer and artist, shooting in medium or large format and then hand painting her photographs with toners, chemicals and inks.

Despite its strikingly experimental appearance, Paulina’s work echoes the uncanny elements of early Victorian photography. Fittingly, her first book was titled Limbo, a reference to Baudelaire’s infamously miserable volume of gothic poetry Les Fleurs Des Mals.

A black and white portrait of a person with wild, light-coloured hair. They hold their hands to their temples, looking directly at the camera.
Above

Paulina Otylie Surys

A person sits on a folding chair, wearing a shimmering metallic outfit and tall boots. A large, dark cube covers their head, and they hold a trident in one hand.
Above

Paulina Otylie Surys

Three people lounge in a cluttered, derelict room with peeling walls and debris on the floor. One person reclines on a sofa, while another lies on the ground and a third sits upright behind them.
Above

Paulina Otylie Surys

A black and white photograph of a person sitting in profile, wearing a dark coat. A thick red string is tied across their eyes and extends across the frame.
Above

Paulina Otylie Surys

A person sits on a small chest, wearing a tall, pointed conical mask and a dark outfit. Thick ropes are coiled around their legs and the chest, trailing across the floor.
Above

Paulina Otylie Surys

A black and white photograph of a person draped in a sheer white fabric that covers their head and body. They stand in profile against a plain background, with a small tattoo visible on their upper arm.
Above

Paulina Otylie Surys

A person with blonde hair pulled back looks upwards with their mouth open in a shout. They wear a structured, sculptural garment made of white material with bold black horizontal stripes.
Above

Paulina Otylie Surys

Two black and white photographs. The top image shows a person in a dark high-collared garment with a sculptural, spiked headpiece. The bottom image shows a close-up of feet wearing dark boots with long, shaggy faux-fur trim.
Above

Paulina Otylie Surys

A person draped in a heavy black hooded cloak sits hunched over, their face obscured by a long white beard. They are positioned against a pale, textured backdrop that resembles a snowy or frosted landscape.
Above

Paulina Otylie Surys

A person with voluminous blonde hair lies on a blue plastic-covered bed, legs raised in the air. They wear a pink cropped jacket and black stockings with garters.
Above

Paulina Otylie Surys

Share Article

Further Info

About the Author

Bryony Stone

—

Bryony joined It's Nice That as Deputy Editor in August 2016, following roles at Mother, Secret Cinema, LAW, Rollacoaster and Wonderland. She later became Acting Editor at It's Nice That, before leaving in late 2018.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.