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A black circle containing the word “POINT” in white, sans-serif capitals. Below the circle, the words “DESIGN | CULTURE | SOCIETY” are written in a smaller, black font.

Read all about the ace line-up at the first POINT conference and win tickets!

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Date
22 January 2013

London boasts a plethora of good design events but the POINT conference which takes place in May comes onto the scene with a real heavyweight pedigree. The brainchild of designers Robin Richmond, Tim Fendley and Georgia Fendley, this year’s inaugural event in London brings together 40 speakers plus film screenings and workshops based around the theme “authenticity.”

At its heart is a simple but powerful aim – “to champion the power of design, innovation and creativity, to reflect on the extraordinary creative capital we enjoy in the UK and to make sure we value it, utilise it and protect it for the future.”

And if the inspiring line-up is anything to go by, they are well on the way to realising these admirably lofty ambitions with a stellar list of design greats and innovative thinkers signed up to share their wisdom. From Jonathan Barnbrook to Erik Spiekermann, Morag Myserscough to Seymour Chwast, Lucienne Roberts, Jay Osgerby & Edward Barber, the team behind the Comedy Carpet (Why Not Associates and Gordon Young) and even Milton Glaser via video link from New York, there promises to be no end of thought-provoking ideas and insights.

Tickets are on sale now priced £300 for professionals (rising to £400 in March) and £180 for students. It’s Nice That has ten pairs of tickets to give away for the May 2-3 extravaganza – keep your eyes on our Twitter feed to find out how you can win!

People walk across a large-scale floor installation designed to look like a giant newspaper. Bold headlines include “KNICKERS” and “KNACKERS”, alongside smaller columns of text and images.
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Why Not Associates/Gordon Young: The Comedy Carpet

Two tall, slender gold vases with a tapered shape and a perforated, honeycomb-like surface. They are set against a plain black background.
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Barber Osgerby: The Olympic Torch 2012

A black and white photo of David Bowie wearing a leather jacket, with his hand raised. A white square covers the centre of the image, containing the text “The Next Day”.
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Jonathan Barnbrook: The Next Day for David Bowie

A stack of white booklets sits among other similar piles on a plain surface. The cover features a red graphic and the text “Page 1: Great Expectations”.
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Graphic Design &: Great Expectations

A series of three posters for “Pasta Baby” featuring black and white photography against bright green backgrounds. The posters combine romantic, poetic phrases with references to pasta, including the lines “I danced I loved I had spaghetti” and “Everything you see I owe to pasta, baby”.
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Martin Grothmaak: Projekttriangle Design Studio / Pasta Baby Identity

The “I Love NY” logo features a black capital “I”, a red heart and the letters “NY” in a bold black serif typeface.
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Milton Glaser: I Love New York logo

A colourful, multi-storey scaffolding structure stands in a wooden courtyard, adorned with bright geometric shapes and text. Legible phrases include “THIS IS THE HOUSE” and “EYE CONTACT”. People sit at wooden tables and on tiered benches scattered with neon cushions.
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Morag Myerscough: The Movement Cafe

A poster featuring a close-up of a person’s face against a black background. White missiles pierce through their eyes and mouth, while bold text at the top reads “WAR IS MADNESS”.
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Seymour Chwast: War

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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