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Championing creativity

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Work / Graphic Design

Simple, adaptable Helsinki film festival identity by Pol Solsona

Words by Emily Gosling, Monday 19 October 2015

Perhaps there’s something in the chilly water over in Helsinki, but boy do they know how to create an identity for a festival. Earlier this year we brought you Kokoro & Moi’s colourful Helsinki Design Competition identity and now we’re celebrating some more work from the Finnish capital by Pol Solsona. It was Catalan designer Pol’s identity for Cinemaissí, a Helsinki-based Latin American film festival that caught our eye, with simple lines of colour against a black backdrop. Its limited colour palette and bold typography makes it adaptable but instantly recognisable across a variety of different colourways, with the line elements extracted for different applications such as on coffee cups and bags. Pol says: “The festival needed an upgrade that would support the curation and quality of the film selection and at the same time connect with the Finnish target audience without losing the Latin American spirit.” We reckon he’s done a grand job.

Pol-sosana-cinemassi-its-nice-that-2 — Pol Solsona: Cinemaissí

Pol-sosana-cinemassi-its-nice-that-4 — Pol Solsona: Cinemaissí

Pol-sosana-cinemassi-its-nice-that-10 — Pol Solsona: Cinemaissí

Pol-sosana-cinemassi-its-nice-that- — Pol Solsona: Cinemaissí

Pol-sosana-cinemassi-its-nice-that-1 — Pol Solsona: Cinemaissí

Pol-sosana-cinemassi-its-nice-that-3 — Pol Solsona: Cinemaissí

www.polsolsona.com

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Jyni Ong — 19 September 2018
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Jyni Ong — 18 September 2018
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London-based Travis Alabanza’s creative practice involves writing words and performing them. Their work has consistently challenged the distinguished art world from an artist residency at the Tate to starring in the acclaimed theatre show Putting words in your mouth at the Roundhouse. Travis’ unapologetically clear and poignantly, personal voice is working towards a new theatre show, Burgerz, debuting October 25 at the Hackney Showroom.

Jyni Ong — 18 September 2018
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Ruby Boddington — 18 September 2018
Work / Graphic Design Leonardo Pellegrino's soft and delicate graphic designs are inspired by his Italian roots

“I prefer working on projects where there is a personal connection, when I can actually relate to, and believe in, the project that I’m working on,” explains Italian graphic designer, Leonardo Pellegrino. A recent graduate of Central Saint Martins, Leonardo is currently working at Brave New World in London, developing a multidisciplinary portfolio which offers graphic design, filmmaking and art direction.

Ruby Boddington — 17 September 2018
Work / Publication Blessure magazine is an "ironic" publication that communicates through its anti-design layout

Blessure magazine, designed by France-based Chambre Charbon, is an alternative magazine drawing similarities between ten to fifteen different artists for every issue. ‘Blessure’ means ‘wound’ in French, referring to the novelist Jean Genet’s words on Giacometti. Genet admired Giacometti’s ability to capture the fundamental, raw essence of objects and people in his work, the encapsulation of a “secret wound” or “blessure secrète”. Similarly, in Blessure, the publication alludes to the sense of style and personality of each artist without text. The communication is solely through the artworks and the design.
 
The latest issue of Blessure focuses on the use of textures created by the computer, creating a new and contemporary language. There is no text, instead the images craft a unique narrative entirely subjective to each viewer. The tone of the artworks changes depending on the print layout and the other works they are interacting with. The 180-page publication features work from Brenna Murphy, core.pan, Deylan Seu, Everest, Jamie and Rickie McNeill, Marine Léauté, Marvin de Deus Ganhitas, Nicolas Sassoon, Sabrina Ratté, Ulysse C. Müller, Ville Kallio, Yannick ValGesto and Boris Détraz.
 
“I quickly made the decision to never feature the same artist twice, so that the magazine can mutate as quickly as possible”, Chambre Charbon tells It’s Nice That. Inspired by publications such as Weird magazine by Noel Freibert and Mould Map published by Landfill Editions, Blessure’s objective first and foremost is to focus on the artwork, secondly, on an anti-design aesthetic. Chambre Charbon describes the design as “pretty direct and oddly neutral”, calling itself a magazine in an “ironic” way and purposefully adding no value to the print run by choosing not to use risograph printing or spot colours.

Jyni Ong — 17 September 2018

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