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A crowd of people stand behind a metal barrier, looking away from the camera towards an unseen event. They are silhouetted against a vast, overcast grey sky.

Scottish photographer explores independence via battle re-enactment

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Date
18 September 2014

Voters in Scotland are today deciding whether to swap 300 years of union with England, Wales and Northern Ireland for the nationalist dream of an independent country. The referendum is being held exactly 700 years after the Battle of Bannockburn, where Robert The Bruce defeated the English army of Edward II and every year a re-enactment is held to bring this major historical landmark back to life.

Edinburgh-based photographer Robert Ormerod realised this would be the perfect way to investigate the independence issue and created this excellent series of photographs at the recent recreation of the famous battle. Robert is savvy enough to avoid heavy-handed metaphor (sentimental saltires and the like) and instead focuses on the odd-pastimed volunteers who give up their time to make these events possible, and the crowds who come along to watch – some of the shots of drizzle-flecked spectators are reminiscent of Martin Parr’s work.

Of course there are comparisons we can draw and visual symbols we can seize on, but Robert cannily leaves that up to us. It’s also worth saying whichever way Scotland votes, the Battle of Bannockburn re-enactment may never be quite the same again, taking on a different significance depending on the outcome of today’s referendum.

People gather on a grassy field under a grey sky, some holding umbrellas for the rain. In the background, a large equestrian statue stands on a stone plinth.
Above

Robert Ormerod: The Battle of Bannockburn Reenactment

Three shield-shaped boards stand on a grassy field, each displaying various colourful coats of arms. The first two boards are headed with the word “heraldry”, while the third features the word “Clan Macleod”.
Above

Robert Ormerod: The Battle of Bannockburn Reenactment

A group of people dressed as medieval soldiers pose together on a grassy field. They wear a mix of chainmail, tunics and helmets, holding spears, axes and shields.
Above

Robert Ormerod: The Battle of Bannockburn Reenactment

A person wearing a pointed metal helmet and a chainmail coif looks directly at the camera. They have a thick, grey moustache and a black fabric hood beneath the armour.
Above

Robert Ormerod: The Battle of Bannockburn Reenactment

A group of people in medieval clothing gather inside and around a large white canvas tent. They sit on wooden benches and stools, talking and eating in a grassy field.
Above

Robert Ormerod: The Battle of Bannockburn Reenactment

Two people dressed as medieval knights in chainmail and helmets carry a third person across a grassy field. The person being carried wears a bright blue cloak with a red and gold heraldic design.
Above

Robert Ormerod: The Battle of Bannockburn Reenactment

Two children sit on a metal railing, their faces painted for a sporting event. One wears a grey hoodie and blue jeans with a blue and white design across their face, while the other wears a mint green hoodie and brown trousers with a small English flag on their cheek.
Above

Robert Ormerod: The Battle of Bannockburn Reenactment

A person in medieval armour kneels on a grass field. They wear a silver helmet and chainmail under a blue and white striped surcoat decorated with red birds.
Above

Robert Ormerod: The Battle of Bannockburn Reenactment

A piece of silver chainmail fabric draped across a sheet of brown craft paper. The metallic mesh is bunched and folded, creating soft shadows across its surface.
Above

Robert Ormerod: The Battle of Bannockburn Reenactment

A crowd of people stand behind a metal barrier, facing away from the camera. They look out towards a vast, overcast grey sky.
Above

Robert Ormerod: The Battle of Bannockburn Reenactment

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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