That which I can tell you about Ryan Weafer’s work–- that his design feels very current and is concerned with iterative surfaces and compositional elements beyond typographic conventions – can be embellished by the esteemed education he is currently wrapping up as an MFA candidate in graphic design at Yale School of Art.
In particular, I am very fond of the fragmentary postcard generator Fragmentr.com, the bright posters for the Yale lecture series, design collateral for exhibitions and thesis work, a quite brilliant check-mate piece of visual communication regarding politics and (though I’ve no idea how this fits) a fanzine of Bulgarian pop folk. All in all, his is a lively portfolio of clean edges and edgy content and a pulse well worth keeping your finger on.
- Manshen Lo creates surreal, comic-inspired observational illustrations
- “To me, being a man just means being yourself”: five creatives share their thoughts on masculinity
- Hexatope: the web-app utilising computational arts to make personalised jewellery
- Lucy Hardcastle on her “most progressive film to date”
- Moby Digg creates grid-based identity for finance company Baugeld Spezialisten
- Typography and National Socialism – the journey of Futura in an era of "reactionary modernity"
- Peter Funch has photographed the same people on the same street for nine years
- DBLG and Animade’s cheeky stop-motion animation uses human skin and 3D stamps
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity
- Get to know the fluid work of graphic designer, Steffen Hotel
- Fukt magazine presents the erotic drawings of David Shrigley, Tracy Emin and many more
- Poster Girls, an exhibition of 150 female graphic designers opens at London Transport Museum