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A graphic with a bright blue background and two red shapes. The top oval contains the word “typing” and the bottom rectangle contains the word “letters”, both written in a yellow pixelated font.

“I let my creativity freely wander”: Sandrine Cheong’s multimedia design practice is playful and inquisitive

The French designer allows experimentation, curiosity and play to inform her approach and outcome. 

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Date
15 April 2025

“A typical self-initiated design project starts with experimentation,” says the multidisciplinary graphic designer and art director Sandrine Cheong. “I sometimes already have an idea of what I’d like to communicate visually,” she adds, “but most of the time I let my creativity freely wander in my playground, to explore, try, and play.” As a result, Sandrine’s multimedia, industry-spanning creative output is profoundly playful and inquisitive – she probes creative expectations to create work that is distinctly her own. “I enjoy having a generalist and multidisciplinary approach,” she explains, having originally done a masters degree in Graphic Design at Paris’ ENSAAMA. “I like to explore different domains and play with different media to communicate visual ideas and concepts.” 

In doing so, Sandrine challenges her audience, asking them to question their interests and outlook. “I find joy in designing with the purpose of a positive impact, and how it can affect people’s feelings and thoughts,” Sandrine says. The designers thoughtfulness to the consequences of her practice is reflected in her inspirations, finding creative influence in unexpected places. “I usually pay a lot of attention to all kinds of visual shapes that surround me, and I like to be receptive to new thinking and different cultures,” she say. “To me, staying open and curious is part of my process.”

Since graduating, Sandrine’s creative approach has developed, with motion design becoming ever more prominent. “Adding movement to my designs allows me to bring another dimension and layer of depth to what I’d like to communicate,” she says. This contrasts to her primarily print-based education. After her studies Sandrine moved to Amsterdam and worked at Studio Thonik, where her aptitude for motion design grew and her practice evolved. “I really enjoy being a generalist and being able to play with different media, following the context and the content of a project,” Sandrine continues, “having experienced different living and working environments allows me to mix different influences.”

An animation in which a series of climate change headlines scroll vertically over a dark grey background with purple lines. The text includes “The summer of 2024 was the hottest on record globally” and “Forced marriages on the rise in Pakistan due to climate change”.
Above
Left

Sandrine Cheong: Emergency (Copyright © Sandrine Cheong, 2024)

Right

Sandrine Cheong: Questions (Copyright © Sandrine Cheong, 2024)

An animation in which bold, distorted typography shifts against a flickering black and grey background. The text asks a series of questions, including “What is equal?”, “What is just?”, “What is fair?”, “What is ideal?”, “What is moral?”, “What is right?” and “what is wrong?”.
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Sandrine Cheong: Questions (Copyright © Sandrine Cheong, 2024)

An animation of distorted, pixelated typography in vibrant neon colours against a dark background. The letters shift and glitch, forming fragments of words including “key” and “eye”.
Above
Left

Sandrine Cheong: Values (Copyright © Sandrine Cheong, 2024)

Right

Sandrine Cheong: Colours (Copyright © Sandrine Cheong, 2021)

An animation of a vibrant, multi-coloured tartan pattern. The arrangement of the bold red, blue, yellow, green and magenta stripes shifts and reconfigures.
Above

Sandrine Cheong: Colours (Copyright © Sandrine Cheong, 2021)

An animation in which the words “past”, “present” and “future” appear in sequence. Each word is set against a glowing, blurred gradient of yellow, purple and orange.
Above

Sandrine Cheong: Times (Copyright © Sandrine Cheong, 2025)

An animation in which bold, overlapping typography shifts across vibrant, gradient backgrounds. The text morphs between the words “ProAct”, “Interact” and “CounterAct”.
Above
Left

Sandrine Cheong: Actions (Copyright © Sandrine Cheong, 2024)

Right

Sandrine Cheong: Motivations (Copyright © Sandrine Cheong, 2024)

An animation in which the words “Dream”, “Learn” and “Try” appear in sequence. Each word is rendered in a bold, fragmented typeface against a shifting backdrop of vibrant, pixelated colour gradients.
Above

Sandrine Cheong: Motivations (Copyright © Sandrine Cheong, 2024)

An animation of a distorted, grid-like pattern of rounded rectangles. The colours shift from vibrant orange and blue to deep purple and lime green.
Above

Sandrine Cheong: Gradient (Copyright © Sandrine Cheong, 2021)

An animation of distorted, glitchy characters and symbols that shift and morph against a dark background. The figures are rendered in vibrant, chromatic-aberration colours including blue, red, and yellow.
Above
Left

Sandrine Cheong: Password (Copyright © Sandrine Cheong, 2024)

Right

Sandrine Cheong: Clock (Copyright © Sandrine Cheong, 2024)

An animation of bold, light grey numbers on a black background. The digits shift and morph to count upwards, starting from “13:26:40:10”.
Above

Sandrine Cheong: Clock (Copyright © Sandrine Cheong, 2024)

A black line illustration of a complex, interlocking grid pattern on a light grey background. The lines form a series of rounded squares and cross-shapes that create a fragmented, abstract structure.
Above

Sandrine Cheong: Skeleton (Copyright © Sandrine Cheong, 2025)

A digital illustration of the word “art” rendered in a white, grid-like pattern. The letters are formed by a series of small, interlocking circles and lines against a plain grey background.
Above

Sandrine Cheong: Confetti (Copyright © Sandrine Cheong, 2025)

A 3D render of the word “ground” in bright green letters against a dark red background. The word is encircled by pink neon letters that read “common” twice in a clockwise loop.
Above

Sandrine Cheong: Common Ground (Copyright © Sandrine Cheong, 2025)

Hero Header

Sandrine Cheong: Typing Letters (Copyright © Sandrine Cheong, 2025)

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About the Author

Harry Bennett

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Hailing from the West Midlands, and having originally joined It’s Nice That as an editorial assistant in March 2020, Harry is a freelance writer and designer – running his own independent practice, as well as being one-half of the Studio Ground Floor.

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