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An animation of a dense, colourful illustration featuring a chaotic array of surreal characters and objects. The figures and shapes shift and morph subtly across the frame.

Look lively! German illustrator Sebastian Schwamm will light up your eyeballs

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Date
4 June 2015

Many of us spend our lives bemoaning our unfortunate surnames (who, me?) but Sebastian Schwamm, whose family name is German for “sponge,” is embracing his with admirable zest. “That’s how I roll!” he says on his website, “absorbing anything that life throws at me and wringing it out on the paper.”

Taken literally, his statement kind of infers that Sebastian’s life has chucked six-eyed monster men and flesh-eating cartoon fish at him, if his splash page is anything to go by, but for the sake of his professional reputation we’ll assume that this isn’t true. Not that he needs to impress anybody, with clients including GQ, Die ZEIT and The Städtische Galerie in Munich already at his beck and call. The editorial illustrator has impressive skill for apocalyptic cartoons and scenes so busy and detailed that they’ll have you craning your neck towards your newspaper to soak up every detail, so perhaps his namesake “sponge” applies to his audience, too.

A dense, colourful illustration featuring a chaotic array of abstract figures and objects in pink, green, black and white. Text in the top left reads “WAS TUN! KUNST-VERMITTLUNG IM LENBACHHAUS WINTER 2014”.
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Sebastian Schwamm: Lenbachhaus “Was tun!”

A colourful, busy illustration featuring a surreal collection of figures and objects. Text in the top left reads “WAS TUN! KUNST-VERMITTLUNG IM LENBACHHAUS SCHULPROGRAMM 2014”.
Above

Sebastian Schwamm: Lenbachhaus “Was tun!”

A busy illustration in yellow, black and white featuring a surreal collection of figures and objects. Text in the top left reads “WAS TUN! KUNST-VERMITTLUNG IM LENBACHHAUS HERBST 2014”.
Above

Lenbachhaus “Was tun!”

A dense, colourful illustration featuring a chaotic arrangement of abstract figures, shapes and objects. Stylised characters and fragmented forms overlap in a vibrant palette of yellow, blue, pink and green.
Above

Sebastian Schwamm: Lenbachhaus “Was tun!”

A colourful, surreal illustration fills a folded poster, featuring a dense arrangement of abstract figures and objects. At the top, text reads “WAS TUN! SOMMER 2014” next to the word “LENBACHHAUS”.
Above

Sebastian Schwamm: Lenbachhaus “Was tun!”

An animation of a light blue book cover in which a dense collage of cartoon figures and objects disappears, leaving only a single figure holding a vinyl record. The final frame shows the brand “Fyfy” and credits for illustrator Sebastian Schwamm.
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Sebastian Schwamm: FYFY “Ume Owe Aufe”

A surreal illustration featuring a collection of eccentric characters and objects on a light blue background. A person in a red dress holds a vinyl record and a beer, while a dog-like figure in a suit stands nearby. Speech bubbles contain the words “UME”, “OWE” and “AUFE”, and another reads “EINE”.
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Sebastian Schwamm: FYFY “Ume Owe Aufe”

An abstract illustration composed of overlapping organic shapes and figures in a vibrant palette of green, blue, red and ochre. The composition is a dense collage of ambiguous forms, including a small white house and a dark, pear-shaped vessel.
Above

Sebastian Schwamm: Faces

An abstract illustration featuring a dense, chaotic arrangement of colourful organic shapes and patterns. Vibrant reds, blues, greens and purples overlap in a layered composition against a white background.
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Sebastian Schwamm: Faces

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About the Author

Maisie Skidmore

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Maisie joined It’s Nice That fresh out of university in the summer of 2013 as an intern before joining full time as an Assistant Editor. Maisie left It’s Nice That in July 2015.

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