This year’s Pavilion for the Serpentine Gallery has gained much attention and rightly so because this sub-erranean structure designed by Ai Weiwei and Herzog & de Meuron is a cool and sophisticated addition to the Serpentine.
While daylight doesn’t bring the dramatic atmosphere and lighting we saw in the renders, it’s still an impressive structure that lurks in the depths of previous pavilions. This year’s structure has its roots in memory and history, starting with an investigation into the previous designs. The team treated the process like an archaeological dig and this sense of uncovering and delving can be felt with the unevenness of the interior emulating excavated earth.
With brown-corked surfaces and small mushroom-shaped stools to perch on, it feels like being in a sort of forest-based, fungus bunker sunk into the grass. Open and panoramic, people are intrigued as they amble like curious squirrels down the incline into the pavilion. The highlight for me though is the beautiful shallow-pooled floating platform – the flatness of it is stunning, like a mirrored plate reflecting, at the time, our British grey sky.
With 11 columns representing the previous Pavilions supporting the roof and a twelfth signifying the newest Pavilion, it’s a celebration of past designs and architects that have help shaped this space and proves how successful this project continues to be for the Serpentine.
About the Author
Rebecca became staff writer at It’s Nice That in March 2016 before leaving the company at the end of 2017. Before joining the company full time she worked with us on a freelance basis many times, as well as stints at Macmillan Publishers, D&AD, Dazed and frieze.