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An abstract illustration of interlocking geometric shapes in a palette of red, blue, green, yellow and muted pink. The forms create a rhythmic, puzzle-like pattern across a wide horizontal canvas.

Art: Siggi Eggertsson's signature style re-imagined through his iPad series Channeling

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Date
12 July 2013

One of the most-publicised aspects of last year’s brilliant David Hockney show at London’s Royal Academy was the inclusion of a series of landscapes he produced on his iPad. In reality it should have come as no surprise that Hockney – an inveterate experimenter with different media – produced work on his tablet, but it’s not just old-school painters who are discovering the artistic potential provided by Apple.

Longtime It’s Nice That favourite Siggi Eggertsson admits that 10 years of making work almost solely on computer affected his creative process . “I lost interest in drawing freely with my hands, drawing on a computer somehow felt more natural to me,” he says. “Then I bought an iPad and was looking for ways to make it useful. I started fooling around with a drawing program and a stylus, and it was surprisingly fun. The outcome is Channeling, a series featuring portraits, landscapes, animals, abstract images, typography and all sorts of things that I like.”

It was shown in Spain towards the end of last year but we’ve only just come across Siggi’s iPad work, and it’s safe to say we were bowled over. As with Hockney, it’s interesting to see a creative whose style we are familiar with reinterpreted through this “new” technological tool. Great stuff Siggi!

An abstract illustration composed of interlocking organic shapes in a palette of blue, ochre, red and cream. The forms are arranged in horizontal bands, suggesting a stylised landscape under a cloudy sky.
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Siggi Eggertsson: Foss

An illustration of a building and landscape rendered in a patchwork of flat, colourful shapes. The composition uses a palette of blue, red, yellow and green to create a stylised, abstract scene.
Above

Siggi Eggertsson: Hvammur

An abstract illustration of a colourful, geometric composition. Stylised, fragmented letters are woven together in a puzzle-like arrangement of red, blue, yellow and green.
Above

Siggi Eggertsson: Containers

An illustration of a stylised, symmetrical face composed of bold, colourful geometric shapes. The figure features large eyes and a pointed nose, set against a backdrop of red, blue and yellow patterns.
Above

Siggi Eggertsson: Hipnotize

An illustration of a lion’s face composed of bold, overlapping shapes in red, blue, yellow and brown. The stylised portrait uses a flat, colourful palette to create a geometric representation of the animal.
Above

Siggi Eggertsson: Past

An illustration of a stylised, symmetrical face composed of bold, colourful geometric shapes. A wide open mouth with jagged white teeth and a red tongue dominates the centre.
Above

Siggi Eggertsson: Transfrog

An abstract illustration of a face composed of bold, colourful geometric shapes. The fragmented portrait uses a palette of yellow, blue, red and brown to create a stylised, cubist effect.
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Siggi Eggertsson: Crying Man

An illustration of a person’s face composed of overlapping, colourful geometric shapes. The abstract portrait uses a palette of blue, red, yellow, brown and green.
Above

Siggi Eggertsson: Left

An abstract illustration composed of bold, interlocking geometric shapes in red, blue, yellow, and pink. The word “fuck” is integrated into the lower half of the composition in a stylised, chunky typeface.
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Siggi Eggertsson: Fuck

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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