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Look At This: Skip Gallery’s latest and largest exhibition features David Shrigley and Sarah Maple

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Date
5 September 2019
A large sculpture of a pink frosted cake with colourful sprinkles sits in a bright, white gallery space. A small figure sits atop a cherry on the cake, with luxury brand names “Chloe” and “Gucci” visible on the surrounding walls.
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Maja Djordjevic: Nothing to Wear Again! for Skip Gallery

Skip Gallery – that’s right, a gallery space held in a skip – has announced its latest show, titled Look At This. Set to be its largest and most ambitious to date, the group exhibition will feature the works of David Shrigley, Gavin Turk, Richard Woods, Paul Kindersley and Maja Djordjevic, as well as new installations from Baker & Borowski and Sarah Maple.

For this show in Finsbury Park, Skip Gallery has worked in collaboration with the Arts Building – a six-storey mixed-use building in the area. Held on the ground floor space of the building, the free exhibition presents seven large-scale skips converted into artworks. The exhibition title takes its name from Shrigley’s skip piece in 2017, which featured a set of small metal letters placed in the bottom of the skip in Hoxton Square, stating that very phrase. He explained to It’s Nice That at the time that it’s his idea of “meta art”.

“Art that describes itself, or describes the most basic function or demand of the artwork. Just saying, ‘look at this’. Because that’s what I want, for people to look at it!”

An ongoing collaborative project conceived by painter-sculpture duo Lee Baker and Catherine Borowski, founders of Baker & Borowski, Skip Gallery aims to to offer art in unexpected places – achieved through the use of a modified refuse skip.


Featuring a performance by artist Paul Kindersly, Look At This opens today (5 September) until 15 September at the Arts Building, Morris Place, London, N4 3JG.

A person in a blue polo shirt smiles at the camera. They stand in front of a large yellow skip, where the words “LOOK AT THIS” are written on the bottom.
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David Shrigley: Look at This for Skip Gallery

A large yellow skip converted into a gallery sits on a city street. An A-board in front reads “Skip Gallery presents David Shrigley” and lists exhibition dates in June.
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David Shrigley: Look at This for Skip Gallery

A person wearing a flat cap and blazer sits on the edge of a large yellow skip. Hand-written text on the front of the skip reads “Transubstantiation Gavin Turk 2017”.
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Gavin Turk: Transubstantiation for Skip Gallery

A large, colourful sculpture of a building emerges from a blue industrial skip. The structure features bright pink and green panels and black window frames, set against a backdrop of green trees.
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Richard Woods: Upgrade for Skip Gallery

A person wearing a bright pink wig and a green mask sits on a yellow structure, reading a book. Behind them, a large white fabric banner features a stylised illustration of a face and the words “SKIP GALLERY”.
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Paul Kindersley: Ship of Fools for Skip Gallery

A large blue industrial skip sits in a concrete space, with a black sign leaning out of it. The sign features bold white text that reads “THE WORLD AS WE KNOW IT”. The side of the skip is marked with the company name “SKIP ALONG WASTE LTD”.
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Sarah Maple: The World As We Know It for Skip Gallery at Arts Building. Photo by Richie Hopson

Large white letters painted across a brick building read “LOOK AT THIS”. Three arrows point down from the text toward a gallery entrance and a list of featured artists.
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Arts Building x Skip Gallery: Look At This. Photo by Richie Hopson

Black letters spell out “LOOK AT THIS” across the dirty, rusted floor of a metal container. The letters are scattered loosely across the gritty brown surface.
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David Shrigley: Look at This for Skip Gallery

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About the Author

Ayla Angelos

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Ayla is a London-based freelance writer, editor and consultant specialising in art, photography, design and culture. After joining It’s Nice That in 2017 as editorial assistant, she was interim online editor in 2022/2023 and continues to work with us on a freelance basis. She has written for i-D, Dazed, AnOther, WePresent, Port, Elephant and more, and she is also the managing editor of design magazine Anima. 

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