Designed by Minna Sakaria, Carolina Dahl and Maria Ines Gul, this great identity for the upcoming Royal College of Art’s School of Communication Work-in-Progress show is a modular representation of the works in progress that’ll be exhibited. Made up of a set of parts, the typeface allows for each element to contribute to any number of letterforms or abstract shapes. As well as existing online and in print, the specially-designed typeface has been printed on stickers with the intention of interrupting the RCA’s corporate identity in a playful and productive way.
The show runs from 5 to the 8 February, with work from the Animation, Information Experience Design and Visual Communication courses.
- We take a look back at the best stories of the year to date
- Atelier Brenda and Amélie Bakker create “squidgy” identity for Beursschouwburg
- Thomas Pratt photographs the effects of religion, natural disaster and globalisation on an island community
- Viacheslav Poliakov shoots the “folk-baroque-industrial mess” of Ukraine and Poland
- “Even bad pizza is kind of good”: Five life lessons from David Droga
- Join Cachetejack and Dropbox for a collaborative workshop at OFFF Barcelona
- Netflix moots move into print with new publication, Wide
- “Allowing a modern audience to see Helvetica for the first time”: Charles Nix talks us through the newly released Helvetica Now
- Dating app Hinge gets a makeover, asks users to use it less
- The most relaxing colour in the world? Dark blue apparently
- By You: Nike's customisable range gets a new name, and a new look
- Rejane Dal Bello on using graphic design to talk about hard topics in a joyful way