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An embroidery piece depicting a gathering of figures in a lush, green garden. A figure in the foreground is rendered in long, trailing black threads that spill down the left side of the work.
An embroidery piece depicting a gathering of figures in a lush, green garden. A figure in the foreground is rendered in long, trailing black threads that spill down the left side of the work.

Sophia Narrett's intimate embroideries explore the complexities of human relationships

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Date
25 July 2018

Sophia Narrett’s embroideries require you to look more than once; in fact, they will make you stop and stare. With their minute details and beautiful intricacies, they push sewing to the extreme. We question how it is humanly possible to create such miniature, elaborate scenes. “Embroidered images are immediately intimate and visually tactile”, Sophia explains. “The pace that embroidery dictates has become a meaningful way for me to commit to images, feelings and ideas”. The artist spends weeks working on a single piece; this means that she has time to commit to a narrative and understand the story that she actually wants to tell. As she is making with her hands, there is an even stronger relationship than usual built between her and her art, mimicking the human connections that she recreates within her work.

Sophia’s painterly embroideries explore the interplay between reality and fantasy. “I want to depict confusing interactions between people, especially those that let the imagination and desire blur real life and involve some kind of role-play”, the artist tells It’s Nice That. Sophia has been heavily influenced by pop culture, exploring how it seeps into our thoughts. What we see on the screen can often be troubling. We are often made to desire things that are in fact bad for us — not only through irresistible chocolate adverts but also in scripted reality shows which, as an hour’s episode of Love Island shows, relationships are intoxicatingly over-dramatised and can lead to viewers misguidingly wanting the same thing. Sophia’s work explores this; it retells the fantasies that we dream up in our heads and often try to recreate (mistakenly) in reality.

“I am interested in the way that adults play”, Sophia tells It’s Nice That, “whether their games are consensual or manipulative, and the emotional results of escapism”. The over-the-top images and the carefully captured frenzy in the work highlight how these embroideries are balanced between fantasy and reality. Sometimes, when we replay our dreams in actuality, they can backfire, becoming nightmares. Sophia’s art can be funny, sexy and erotic but there are also deep, dark undertones. In her pieces, we experience the intensity of relationships, how they can quickly turn toxic. All of us have been there. We are familiar with how love can consume us, and this artist’s work recalls our deepest heartbreaks, our naughtiest desires and our overwhelming passions. Each embroidery is an intricate story, a twisted fairy-tale created in one beautifully sewn, colourful panel.

A mixed-media collage of a garden scene featuring people gathered around a spiral pattern on a lawn. The image is embellished with 3D elements, including embroidered green vines and orange pom-poms that resemble fruit.
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Sophia Narrett: Stuck, 2016

A textile artwork depicting five nude figures standing in a lush, green landscape. Each person is connected to a tall, thin IV drip stand holding a bag of orange liquid.
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Sophia Narrett: Stuck, 2016, Detail

A textile artwork depicting a group of figures gathered around a large, circular labyrinth in a green landscape. In the background, white houses sit beneath a canopy of oversized green leaves and branches.
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Sophia Narrett: Stuck, 2016, Detail

An embroidery of two people standing beside a dark car parked on a green lawn. One person wears a white T-shirt and light blue shorts, while the other wears a long white dress.
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Sophia Narrett: Stuck, 2016, Detail

An embroidery of a nude figure reclining on a textured, grassy landscape. Red threads create the appearance of blood flowing from a wound on their torso.
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Sophia Narrett: Stars Align, 2014

An embroidery piece showing a person in a purple top and black trousers standing on a porch. They are surrounded by several white plastic bags.
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Sophia Narrett: Card One, Cry, 2016

A textile collage depicting two stacked scenes. The top layer shows figures in formal wear gathered in a lush green forest, while the bottom layer shows figures in gowns within a classical architectural space. Long strands of purple and brown thread hang from the base of the piece.
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Sophia Narrett:Princess Time, 2016

A textile artwork created from thick, colourful threads. Several figures in formal and casual wear gather around a person lying on the ground in a wooded setting.
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Sophia Narrett: Princess Time, 2016, Detail

An embroidery piece depicting a domestic interior. A person reclines in an armchair while another figure bends over nearby, surrounded by furniture, houseplants and a vase of flowers.
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Sophia Narrett: Naked Bride in the New Basement, 2015

An embroidery piece depicting a domestic interior. A person sits beside a large brown bear lying on the floor, while another figure stands in a doorway. Colorful threads hang from the ceiling like streamers, and green embroidered vines frame the edges of the work.
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Sophia Narrett: Relief and Delight, 2016

An embroidery piece depicting three people lounging together in a room. They are rendered in thick, textured thread, with one person reclining in a white top and another leaning back in blue.
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Sophia Narrett: Worries, 2017

An embroidery piece showing a group of people gathered in a garden. In the foreground, a person in a long yellow dress holds hands with another person wearing a black top and a white skirt.
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Sophia Narrett: The Rose Ceremony, 2014, Detail

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About the Author

Emma Latham Phillips

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