So as you know we’re always looking for new and exciting ways to indulge our passion for all things arts and design and we’ve hit upon a brand new one thanks to the wonders of podcasting (new for us, we realise it’s been around for a bit!). So here it is on that there itunes – download now!
Recorded in our studio with specially-invited guests Studio Audience (see what we did?!) is a new venture for us but one we hope will add an extra dimension to our creativity championing.
This is the first ever episode recorded earlier this week with guests Rose Blake and Andy Altmann from Why Not Associates. See below for the links you might need while it plays and let us know your thoughts via Facebook, Twitter or email us at [email protected]
We spoke to our guests Andy Altmann of Why Not Associates about the comedy carpet and what happened when the council destroyed part of it on health and safety grounds, and we spoke to Rose Blake about Studio Music and the Vimeo award-nominated animation by the This is It collective…
You can (and SHOULD) vote for Don’t Hug Me I’m Scared here. We also talk nudity, mime and why Sir Peter Blake chose The Spice Girls on Desert Island Discs. Enjoy!
- A real bobby-dazzler, it’s Best of the Web!
- Max Guther is back with more hyper real illustrations visualising social trends
- The Igor has landed: Igor Bastidas on our animated cover for Printed Pages AW17
- Balmer Hählen takes a traditional Swiss design approach to its projects
- Friday Mixtape: a very rare mixtape from the one and only John Carpenter
- Josh McKenna talks through his work on Pride for Google and Instagram
- Peter Funch has photographed the same people on the same street for nine years
- DBLG and Animade’s cheeky stop-motion animation uses human skin and 3D stamps
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity
- Get to know the fluid work of graphic designer, Steffen Hotel
- Fukt magazine presents the erotic drawings of David Shrigley, Tracy Emin and many more
- Poster Girls, an exhibition of 150 female graphic designers opens at London Transport Museum