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An illustration of a complex, multi-level architectural structure in pink, blue and yellow. Tiny figures populate the various platforms and stairways of the geometric building. Vertical text on the left reads “East London Comic Art Festival” and “Saturday 14 June 2014”.

Five of the best comics we found while at ELCAF 2014

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Date
20 June 2014

Last weekend we spent an intermittently rainy Saturday traipsing up and down ELCAF’s rows of tables, laden with brightly coloured printed matter of all kinds. There were comics, zines, pots and prints, giant hardbacks printed by the thousand and tiny little editions of hand-made graphic novels, not to mention the talks by titans of the comics community like Jesse Moynihan, Seth and Chris Ware. For those of us who compulsively collect anything that pairs paper with ink it was an extremely satisfying day out so we thought we’d give you a quick (and limited) rundown of some of the great stuff on display.

An illustration featuring a large, distorted typographic shape in yellow, black and green. A small figure sits on a chair nearby, while a red root extends from the shape down into a black void.
Above

Michael DeForge: Ant Colony

An illustration of a chaotic swarm of ants across a yellow and pink landscape. Some ants wear police hats, while others appear to be fighting or lying on the ground.
Above

Michael DeForge: Ant Colony

A comic strip featuring two small, black-and-white figures sitting on a yellow sofa in a surreal, colourful landscape. They have a tense conversation about their relationship, with dialogue bubbles reading “Are you mad?” and “I feel like you’re angry with me.”
Above

Michael DeForge: Ant Colony

Michael DeForge has been making comics about ants for ages. Something about their ruthless nature and fleeting lifespans seems to appeal to him enormously. In his hands those nondescript little insects become vehicles for serious comedy, perpetrating the most loathsome acts of violence with reckless abandon and then suffering the same in turn. In his first full-length graphic novel, Ant Colony, Michael explores the lives of numerous ants within the colony, each of them teetering on the brink of destruction at any moment from vicious spiders or careless centipedes. Sure it sounds pretty heavy, but it’s just really, really funny – and fantastically drawn too.
www.kingtrash.com

An illustration from a book shows a figure with a grey, cratered moon for a head. They wear a white shirt and blue tie, holding a red guitar that features a built-in keyboard. A speech bubble above them reads “IT’S PERFECT!”.
Above

Andrew Rae: Moonhead And The Music Machine

An illustration of a person with a blue backpack walking across a bright green lawn. They are dwarfed by towering, lush green trees and a tiered white building with plants on every balcony.
Above

Andrew Rae: Moonhead And The Music Machine

A four-panel comic strip. In a classroom, a person with a head made of a metal grate sits among other students while a teacher looks on. The final panels show the grate-head flying through the air and out of the building.
Above

Andrew Rae: Moonhead And The Music Machine

Joey Moonhead was a character that first cropped up in Andrew Rae’s contribution to Nobrow’s A Graphic Cosmogony, but now he’s got his own graphic novel. Moonhead And The Music Machine tells the rags-to-riches story of an outcast teenage boy with a moon for a head who finds acceptance from the cool kids at his school talent contest. But all is not as it seems…. Again this is a debut graphic novel from a man who’s been a prolific talent in illustration for a long time. God know’s how long it must have taken Andrew to draw everything with the precision he does; but it was undoubtedly worth the effort.
www.andrewrae.org.uk

Two ceramic cups shaped like human heads with closed eyes and serene expressions. Each cup features a patch of glossy black glaze on one side to suggest hair.
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William Edmonds: Face Pot

I’ve wanted one of Will Edmonds’ pots with faces for about two years. And so I bought one from him at ELCAF. Sure it’s not strictly a comic – in fact it has nothing to do with comics – but it’s a beautiful object all the same and makes your weekend coffee that much more exciting.
www.williamedmonds.co.uk

A person holds a blue comic book titled “Optic Nerve No 13” by Adrian Tomine. The cover is partially open to reveal a black and white comic strip with several panels of dialogue.
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Adrian Tomine: Optic Nerve 13

A comic strip across six rows of panels. A person with glasses and a beard expresses frustration over the declining quality of paper and pens, while their family looks on. The final panels show them searching for books in a shop and checking their phone.
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Adrian Tomine: Optic Nerve 13

An illustration of a red and white train stopped in a snowy city. In the background, the Tokyo Skytree rises above a dense cluster of buildings and signs. Text above the scene reads, “In February, when my mind was unclouded enough to appraise everything, I decided we would return to California.”
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Adrian Tomine: Optic Nerve 13

A comic strip page in blue and white. A person on the phone reacts with excitement to a radio contest for “Owls” playoff tickets. In the final panels, they brag about the win to a companion while others look on.
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Adrian Tomine: Optic Nerve 13

The great thing about events like ELCAF is that you get access to things that you can’t find at home. There are no UK distributors for Adrian Tomine’s fantastic serial Optic Nerve, so when the Drawn & Quarterly guys come and visit it’s always advisable to stock up on the rarities. Optic Nerve 13 contains three new, original stories; an autobiographical page, a complex relationship born from a self-help group and an elegiac ode to a journey home. As ever with Adrian Tomine it’s not light reading, but his sensitive storytelling shines through gently nudging you to empathise with his complex characters.
www.adrian-tomine.com

A black and white illustration of a minimalist courtyard with a large, abstract painting of a dark figure on the far wall. A small black dog lies on the ground near a blue and red painting, while a single chair sits to the right.
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Antoine Cossé: NWAI

An illustration of a cluttered room where two people sit on a sofa amidst piles of rubbish. A speech bubble above them reads, “Richard and Stephany passed by the house yesterday to lift up my spirit, which was nice. They left terrified. She’s still as bitchy as ever, and he’s still a fucking bore.”
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Antoine Cossé: NWAI

An illustration of a person lying unconscious on a floor next to a large, resting tiger. A speech bubble above them reads, “Me and the tiger keep getting drunk at night, and at sunset I miss you the most.” A circular inset shows a red figure against a blue and black background.
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Antoine Cossé: NWAI

A black and white illustration of a modernist courtyard with stark, geometric concrete walls. A large, abstract mural of a fluid shape is painted on the central wall under a deep overhang.
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Antoine Cossé: NWAI

A black and white illustration of a derelict concrete building overgrown with vines and shrubs. The walls are covered in graffiti, and the foreground is littered with debris and rubble.
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Antoine Cossé: NWAI

NWAI is a brand new comic by Antoine Cossé that was printed by Breakdown Press mere days before ELCAF took place, so the ink still smelled fresh. It tells the story of a jilted lover who takes out his anger for his ex on his beautiful Modernist home; filling the swimming pool with his piss, setting fire to the surrounding gardens and colouring in all the concrete walls. He also befriends a giant tiger, but that’s more to do with loneliness than rage. Antonine’s pacing is spot on in this story, and his subtle use of colour allows the protagonist’s memories to permeate the panels and add further depth to the story. Also for a comic that was apparently put together in a rush int’s an extremely accomplished achievement.
www.antoinecosse.tumblr.com

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About the Author

James Cartwright

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James started out as an intern in 2011 and came back in summer of 2012 to work online and latterly as Print Editor, before leaving in May 2015.

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