If you like your art with a psychedelic twist and an enormous amount of cutting and pasting then Travess Smalley may well be the artist for you. His process is as convoluted as they come, examining process and materials with experimental rigour – printing textures and colours on a deskjet printer before cutting, pasting and rescanning for further digital manipulation. He does this repetitively. The resulting images are utterly striking, traditionally psychedelic in their colour ways yet contemporary in their creation.
Travess’s latest show Capture Physical Presence is on display at Higher Pictures, New York until June 1.
- A real bobby-dazzler, it’s Best of the Web!
- Max Guther is back with more hyper real illustrations visualising social trends
- The Igor has landed: Igor Bastidas on our animated cover for Printed Pages AW17
- Balmer Hählen takes a traditional Swiss design approach to its projects
- Friday Mixtape: a very rare mixtape from the one and only John Carpenter
- Josh McKenna talks through his work on Pride for Google and Instagram
- Peter Funch has photographed the same people on the same street for nine years
- DBLG and Animade’s cheeky stop-motion animation uses human skin and 3D stamps
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity
- Get to know the fluid work of graphic designer, Steffen Hotel
- Fukt magazine presents the erotic drawings of David Shrigley, Tracy Emin and many more
- Poster Girls, an exhibition of 150 female graphic designers opens at London Transport Museum