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A black and white portrait of a person looking directly at the camera. They wear a textured high-neck garment and small hoop earrings, with the word “True” and the number “6” appearing in white text.
A black and white portrait of a person looking directly at the camera. They wear a textured high-neck garment and small hoop earrings, with the word “True” and the number “6” appearing in white text.

True's sixth issue thoughtfully showcases emerging and established photographers

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Date
10 May 2019

Photography-focused publication True is known for collating together some of the medium’s most fascinating names. But rather than traditional profiles on photographers that fans may have seen already, True reaches out to creatives it admires and commissions them to provide something new. It could be an old project that never saw the light of day, or an idea the photographer in question never had the chance to complete. To emphasise the unique quality of these often personal series, the magazine places them centre stage with little to no words featured at all.

True’s sixth issue, which is created by London-based studio Assembly, continues its tradition of presenting a brilliantly broad photographic style. Each issue begins by gathering the four-person editorial team and discussing “which artists are inspiring us at the moment, either established or emerging,” treating each photographer’s work with equal importance. This has always been the key characteristic the publication has been centred around, existing “to show work that feels authentic”, as well as “a sense of intimacy with each issue.”

The team whittle down a selection of practitioners who “we think will be most excited to create a portfolio of work with True’s brief to experiment, create or revisit,” the team tells It’s Nice That. Then, the magazine leaves them to it, placing trust in the photographer at hand to create work which attracted True to them in the first place, before catching up about “furthering the concept and working through the edit.” Its design takes into close consideration how best to present the work at hand, with some images blown up full-bleed to showcase minute details, while other series are contemplatively placed together as diptychs.

This thoughtful approach – one which places as much importance on discussion and curation as the work itself – proves beneficial with this most recent sixth issue. A doorstop of a magazine, measuring in at just under the dimensions of A3, True acts as a tomb of image inspiration. With photography hero Jim Goldberg providing a cover and Arnaud Lajeunie and Georgia Pendleberry another, the publication features so many stories to stare at, particularly the work of Jenna Westra and the magazine’s own recommendation to keep a close eye on: Kalpesh Lathigra.

True’s sixth issue is now available via Antenne Books.

Five identical black and white portrait photographs of a person are lined up across a bright red, painterly background. The word “True” appears in the top right corner and the number “6” in the bottom right.
Above

True Photo: Jim Goldberg

A black and white photo shows a person standing on a wooden deck, pouring water from a bucket over their head. The water creates a translucent veil over their body against a backdrop of dense trees. Beside it, a second image shows a piece of cooked meat and a broken egg yolk on a white marble surface.
Above

True Photo: Arnaud Lajeunie and Georgia Pendlebury

A two-page book spread featuring two photographs. On the left, a dense crowd of people stand together, many wearing backpacks and looking towards something out of frame. On the right, a robotic arm paints a classical-style scene on a canvas in a dimly lit studio.
Above

True Photo: Brendan Freeman

A diptych of two photographs. On the left, a nude person stands against a large rock in a sunlit forest. On the right, a high-angle shot of a brutalist apartment building with organic, sculpted concrete balconies and orange panels.
Above

True Photo: Camille Viver

A diptych of two photographs exploring the human form. On the left, a black and white image shows a person’s hands gripping and pinching the skin of a leg. On the right, a colour image shows a nude figure curled into a tight, sculptural ball against a blue background.
Above

True Photo: Jenna Westra

Two photographs are displayed side by side. The first shows a shirtless person leaning back in a red leather chair next to a tray with a glass and a cigarette. The second shows a small, sparsely furnished room with a single bed and two windows with yellow blinds.
Above

True Photo: Jo Ann Callis

A diptych featuring two images. On the left, a person in a striped shirt climbs onto a green rubbish truck beneath a concrete overpass. On the right, a black and white portrait of a person wearing thick-rimmed glasses and a checked shirt.
Above

True Photo: Kalpesh Lathigra

Four black and white photographs are arranged in a row. They show a person in a shower, a multi-arm light fixture, a hand holding a bent wire, and a nude person standing beside a large circular hoop.
Above

True Photo: Peter Puklus

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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