Launch Recite Me assistive technology

Uncommon’s ad for Under Armour uses shadow and spotlight to translate the emotional intensity of sport

Taking inspiration from Jonathan Glazer, this ad combines exciting and warbled images with a memorable monologue from musician Tricky.

Date
9 September 2025

Share

Uncommon Creative Studio, the studio behind EA Sports rebrand to punchy projects with British Airways, have created a new brand platform for the sportswear company Under Armour called Be The Problem. Reframing what it means to be a “problem” through positive representation of competitiveness and drive, the campaign focuses on European football through a cinematic film fronted by a powerhouse trio: director Leigh Powis, cinematographer Harry Wheeler and none other than musician Tricky.

The film starts off as normal as any other ad, but when the music switches up, you’re immediately transported into a cinematic world. The ad features surreal imagery – water flowing upwards, harsh lights and imaginative on-pitch action, visualising the inner intensity and disruptive impact of athletes. It’s described as a homage to Jonathan Glazer and although its far more intense than the ambient art house sensibility of The Zone Of Interest, its dream-like imagery boasts an emotional intelligence of Jonathan’s advert work in the late 90s.

A person wearing sunglasses and a red and white jacket sits at a table in a dark room. A single red balloon floats behind them, and a cluster of red and white balloons hangs from the ceiling.

Tricky’s monologue rallies athletes, sports fans and dreamers alike with his iconic voice. “At their feet, the football is not a toy. It’s a source of control – a tool,” says Tricky. “So in a world of footballers trying to be the solution, what do you do?” Be The Problem suggests that the world has enough heroes and the ad itself feels like a super villain. Dark, sleek, mean – even the athletes appear superpowered as they launch into the air or appear to freeze time.

Harry Wheeler’s previous work with Adidas, New Balance, and even Idles proves that he has a real knack for dynamic camera work – his cinematography wobbles, obscures and whips across action – at times, the POV appears to be under ice, other times beads of sweat rain down on the camera. It all makes the viewer feel physically present and vulnerable rather than an omnipresent and unbiased observer. Stark shadows and beaming spotlights transform reality into personalised inner worlds that revolve solely around sport, putting the viewer into an athlete’s shoes, forcing them to understand the emotional magnitude of what sports can mean.

An animation in which a person in black sportswear kicks a football high into the air. They are captured from a low angle against a clear, dark blue sky.
A person in a white athletic top shouts with an intense expression. They are captured in a blurred, high-action shot against a cool blue, atmospheric background.
A close-up portrait of a person with a full beard looking directly at the camera. They are positioned in front of a chain-link fence under a dark, moody sky.
An animation in which two people play football on a dark pitch under a starry night sky. One person wears a dark kit with a glowing white stripe, and the movement between them is subtle.
Two people compete for a football on a pitch under a deep blue sky. One person in a black kit leaps to kick the ball, while another in a red and white kit reaches out to challenge them.
An animation in which a person in a black and white football kit runs across a pitch. The scene shifts to a low-angle shot of them playing against other people under a deep blue sky.
A person wearing a white, tight-fitting Under Armour top stands in a dark room. A single bright light source illuminates them from behind, casting their face in shadow.
An animation of a person wearing a white Under Armour top against a black background. The camera captures a close-up of their face as they move their head with a subtle, blurred motion.
An animation in which a person wearing a black Under Armour top walks through a dark corridor. The camera moves closer to reveal a close-up of their face.
A person looks at the camera from a dark background, their face partially lit. They hold one hand up in front of them, palm facing outwards.

Share Article

About the Author

Paul Moore

—

Paul M (He/Him) is a Junior Writer at It’s Nice That since May 2025. He has a strong interest in graphic design, digital kitsch, multimedia painting, collage, nostalgia, analogue technology and all matters of strange stuff. pcm@itsnicethat.com

To submit your work to be featured on the site, see our Submissions Guide.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.