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A framed print of a black circular maze on a white background. A small red cross marks the entrance at the bottom, leading to a flower-shaped centre.

London Underground turns 150 with Mark Wallinger’s labyrinthine roundels

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Date
7 February 2013

For the uninitiated the Tube can look like an inexplicable maze. But once you grasp Harry Beck’s iconic map, those chaotic lines form a manageable labyrinth. So goes the thinking behind London Underground’s biggest ever art commission: 270 permanent, unique artworks by Mark Wallinger soon to grace the walls of every Tube station.

The difference between a maze and a labyrinth is the latter has only one path. The crammed Tube commute may look like chaos, but all it is is millions of individuals taking daily, familiar journeys. Echoing the Tube’s ubiquitous blue and red roundels and emblazoned in the same enamel, Labyrinth’s black and white circles fit well on tiled platform walls. Their intricate brain-like patterns point towards the complex but organised network of the Underground and at each entrance is a red “You are Here” cross, an embarkation point for each passenger.

Today, 10 of the station artworks were revealed, the rest are to follow in the summer. In contributing to the rich, graphic language of the Underground, Wallinger joins an illustrious list of artists stretching back to the 1930s. He’s done the platform walls justice in 2013.

A black and white illustration of a circular labyrinth. A small red cross is marked at the bottom entrance, and the number “58/270” is written in the bottom right corner.
Above

Mark Wallinger: Labyrinth (Baker Street)

An illustration of a circular labyrinth drawn with clean black lines on a white background. A small red cross marks the entrance at the bottom, and the number “60/270” is written in the corner.
Above

Mark Wallinger: Labyrinth (Oxford Circus)

A black and white illustration of a circular labyrinth with a spiral at its centre. A small red cross marks the entrance at the bottom of the circle, and the handwritten text “63/270” appears in the bottom right corner.
Above

Mark Wallinger: Labyrinth (Embankment)

A black and white illustration of a circular maze. At the centre is a flower-like shape, with a red “x” marking the entrance at the bottom.
Above

Mark Wallinger: Labyrinth (Westminster)

A black and white illustration of a circular maze with a white void at the centre. A small red cross is positioned below the circle, with the number “102/270” in the bottom right corner.
Above

Mark Wallinger: Labyrinth (St James’s Park)

A black and white illustration of a circular maze. A single white path leads from the bottom edge to the centre, marked by a small red “x” at the start.
Above

Mark Wallinger: Labyrinth (Victoria)

A black and white illustration of a circular labyrinth with a white void at the centre. A small red cross marks the entrance at the bottom of the image.
Above

Mark Wallinger: Labyrinth (Tottenham Court Road)

A black and white illustration of a circular labyrinth with a small square at its centre. A red cross marks the entrance at the bottom of the image.
Above

Mark Wallinger: Labyrinth (Bank)

A black and white illustration of a circular maze on a plain white background. A small red cross marks the entrance at the bottom, and the numbers “172/270” are written in the bottom right corner.
Above

Mark Wallinger: Labyrinth (King’s Cross St Pancras)

A black and white illustration of a circular labyrinth. A small red cross is positioned below the design, with the handwritten number “232/270” in the bottom right corner.
Above

Mark Wallinger: Labyrinth (Green Park)

A person in a black puffer jacket stands before a framed print of a circular maze. They trace the winding black lines of the labyrinth with their finger.
Above

Mark Wallinger tracing a route

A circular black and white maze is centred on a square white panel with a black frame. A small red cross marks the entrance at the bottom of the circle.
Above

Mark Wallinger: Labyrinth (Westminster)

People walk through a busy underground station, their figures blurred by motion. Signage above the crowd points the “Way out” towards “Victoria Street”.
Above

Mark Wallinger: Labyrinth in situ

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Anna Trench

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