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A split image showing two versions of the same furniture set. On the left, a giant brown sculpture of a table and chair sits on a grassy hill with people gathered around it. On the right, a smaller black version of the set is displayed in a minimalist gallery with wooden floors.

Art: Who Wore It Better blog joins the conceptual dialogue about originality

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Date
11 July 2013

The debate over originality has long been an obsession in the cultural sphere– from finding out that your mate in Year 2 is using the same colouring pencils as you right through to Warhol’s Campbell’s Soup Cans and Brillo Pad Boxes, and Shakespeare allegedly “borrowing” his play ideas from Christopher Marlowe. So a blog that takes these ideas of re-appropriation and semblance is more or less timeless in its relevance. Who Wore It Best might well be in it for the long haul, then, with their ongoing visual research project which considers common practices in art and design.

Working under a title that plays with the tabloid trend for brutally comparing pairs of celebrities caught wearing similar outfits, the site “was created to promote formal and conceptual dialogue over originality,” which it does, albeit in a non-judgemental way. Instead it becomes a voice in a centuries-long conversation about the perpetual reinterpretation of ideas, which, essentially, is what all creative brains slip into.

Two images of Penrose triangle sculptures. The first is a pink and purple version standing on a paved street, while the second is a grey version situated in front of a concrete building.
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Who Wore It Better: Mathieu Heamekers Impossible Triangle & Brian McKay and Ahmad Abas Impossible Triangle

Two images of white door installations. The first shows a series of open white doors receding into the distance. The second shows several white doors of decreasing size nested inside one another.
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Who Wore It Better: Monika Sosnowska Door & Michael Elmgreen & Ingar Dragset Powerless Structures

Two images are shown side by side. On the left, a person lies still in a bed with blue sheets, their eyes closed and head tilted back. On the right, a painting of a deceased figure lies in a similar pose, surrounded by mourning people.
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Who Wore It Better:

Two side-by-side portraits of people with precise, rounded bob haircuts. The person on the left wears a black turtleneck, while the person on the right wears a chunky blue beaded necklace.
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Who Wore It Better: Sanna Helena Berger Lydia Slack & Bert Stern Turquoise and Diamond choker

Two images of sculptures. The first shows a wooden ladder that curves upwards through a concrete room towards a skylight. The second shows a tall, narrow concrete staircase that rises vertically from a grassy field into a clear sky.
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Who Wore It Better: Martin Puryear Ladder for Booker T. Washington & Ezra Orion Ma’alot

Two portraits of people outdoors. On the left, a person with long red hair that fans out around them stands among thin, bare branches. On the right, a person with dark hair wearing a floral print garment looks towards the camera.
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Who Wore It Better: Julia Fullerton-Batten & Hellen Van Meene

A large, black metal sculpture of a winding spiral staircase stands in a paved courtyard. The structure curves and loops back on itself, set against a backdrop of modern office buildings.
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Who Wore It Better: Olafur Eliasson Umschreibung & Michel de Broin Revolutions

Two spherical vehicles are shown side by side. On the left, a yellow pod with integrated wheels sits in a white gallery space. On the right, a red and white sphere rests on a green lawn.
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Who Wore It Better: Ichwan Noor Beetle Sphere & Lars-Erik Fisk Volkswagen Ball

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About the Author

Maisie Skidmore

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Maisie joined It’s Nice That fresh out of university in the summer of 2013 as an intern before joining full time as an Assistant Editor. Maisie left It’s Nice That in July 2015.

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