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A bold typographic cover in black and white reads “WHY FONTS MATTER.” The name “Sarah Hyndman” is written vertically along the left edge of the first letter.

Why Fonts Matter, and how they impact your mood

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Date
26 January 2016

Typography might just help you date, solve obesity and impact your mood; so we’ve learnt from type fanatic Sarah Hyndman. We’ve previously dubbed her “the one woman tour-de-force behind the Type Tasting enterprise”, which looks at the power typography has over our lives and senses. She’s now published a new book on the subject, Why Fonts Matter, and has kindly offered us an extract looking at the effects of typography on our emotions.

Physically, we use our voice, facial expressions. gestures and posture to convey a wide range of emotional cues from the subtle to the dramatic. Typefaces and the way they are used provide a similarly extensive emotional range typographically.

In 1933 Poffenberger and Barrows explored how shapes and simple as lines could communicate emotions. Their theory was that when we look at a line our eyes move along the shape. This turns it into a physical experience that reminds us of the body language we use to express our emotions. They asked participants to match emotions form a line to each of the 18 curved and jagged lines sloping in different directions. A line going downwards was shown to make us feel “doleful,” while a “joyous” like takes our eyes upwards.

Each of our emotions contains a whole range of feelings and these nuances can also be conveyed typographically. Psychologists Samuel Juni and Julie Gross asked 102 New York University students to read a satirical article from The New York Times. Each was given the reading randomly printed in either Arial or Times New Roman. Afterwards they were asked to rate their response to what they had read. They rated the article as being funnier and angrier, in other words more satirical, when it was read in Times New Roman.

There is a parallel between what we experience in the physical world and how this influences our interpretation of typeface shapes. Type can be seen as mirroring the emotions we display in the real world through our facial expressions and gestures. When we are happy our faces become round with a wide smile and our body language is open. By contrast, an angry frown expression is pinched and angel and an attacking animal is all jagged teeth and claws.

Type also mirrors the way your handwriting communicates your mood or emotions. When writing quickly your mood is italicised and when angry it becomes bold and deliberate.

An educational graphic titled “Fonts are like Instagram filters for words” shows a grid of 16 stylised letters. Each letter is paired with a date and a style, such as “1400s Medieval” and “1920s Bauhaus”.
A typographic study comparing two distinct styles of lettering. On the left, bold Art Deco fonts in yellow and black read “CELEBRATED LUXURY GLAMOUR AND THE MACHINE AGE”. On the right, elegant green scripts and serifs read “Filthy RICH ENGRAVED AND Calligraphic”.
A grid of colourful quiz cards with bold typography. Each card asks a question about sensory associations, such as “Which tastes of lemon?” or “Roses or Roses?”. Below the grid, a page of text discusses sensory types and the multisensory nature of memory.
An educational page about Victorian typography featuring various bold and decorative typefaces. Large red and black text reads “New era of advertising & type went large”, while ornate gold and black text reads “Victorians had a taste for the highly ornate”. Below the headings, two columns of text explain the influence of the Industrial Revolution on advertising and the Victorian love for ornamentation.

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About the Author

Sarah Hyndman

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